The festive phase of Diwali and Eid, every filmmaker’s delight, has passed without lighting even a small flicker of hope at the ticket windows. Both the big Diwali releases — Don and Jaan-e-Mann, failed to make much of an impact.
Don, despite moderate success, is not quite a feather in Farhan Akhtar’s cap. And audience didn’t exactly fall in love with Shirish Kunder’s Jaan-e-Mann. “The films didn’t live up to expectations. Don registered much better collections in the first week as compared to Jaan-e-mann, but the second week has seen a big drop,” says trade analyst Vinod Mirani.
He adds that the period after the actual Diwali day is better than the festival day itself as then people are busy celebrating. Don probably scraped through both due to the hype and more favourable word-of-mouth publicity.
“The hype for
Don
was high, so it drew in the crowds first. While
Jaan-e-Mann’s
promotion seemed old style, so it failed to attract audiences,” adds Vinod. Both films were released with about 1,200 prints worldwide. Pankaj Jaisingh of AshtaVinayak Cine vision (which acquired
Jaan-e-Mann’s
{{/usCountry}}Jaan-e-Mann’s
{{/usCountry}} distribution rights at Rs 7.5 crore for the Mumbai region) counters, “Jaan-e-Mann was slow initially, but soon picked up. It did better in Mumbai than in other territories and overseas.”
Agrees trade analyst Amod Mehra: “It’s shocking that
Jaan-e-Mann
didn’t take off, neither here nor overseas, despite a big star cast.” But he suggests another reason for the film’s disappointing performance: “It could be director Shirish Kunder’s statements in the press where he expressed dissatisfaction working with producer Sajid Nadiadwala and some of the cast. When a director speaks against his team, the audience can’t be enthusiastic about his film.
Don
, which had already opened extraordinarily well, only benefited from
Jaan-e-Mann’s
loss.”
More money was riding on films this Diwali compared to last year, but their collections met only a fraction of expectations. Says Amod: “Diwali/Eid releases haven’t really fared well in the last two years —
Veer-Zaara
opened very well in the first week, but dropped in the second,
Aitraaz
was just about okay, while
Naach
failed to take off. This is the third Diwali where films haven’t lived up to expectations.”
Quite an anti-climax in a year that has had blockbusters like
Rang De Basanti, Fanaa, Krrish
and
Lage Raho Munnabhai
. Does it mean that you no longer need the festive season to make a bang at the box office?
hiren.kotwani@hindustantimes.com