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REVIEW: Salaam-e-reality

It?s surely worth stopping at this Traffic Signal for a reality check, writes Khalid Mohamed. Movie stills | Neetu speaks

Published on: Feb 02, 2007 07:31 PM IST
None | By , Mumbai
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Traffic Signal
Cast: Kunal Khemu, Neetu Chandra, Konkona Sensharma, Sudhir Mishra
Direction: Madhur Bhandarkar
Rating: ***

HT Image
HT Image

If you eat dhokla, your brain gets khokla. If you’ve honeymooned at the Niagara, very shortly you’ll need Viagra. And if you’re a street hooker your biography is more than likely to win a Booker.

Welcome to Madhur Bhandarkar’s Traffic Signal which delves into the lives of a motley gang of derelicts surviving by their wits in world of nitwits. And surprise surprise, it’s a largely uncompromised and unconventional take on the low life of a metropolis.

Perhaps the outcome won’t be as marketable (read box office) as his other jaw shockers, but in terms of sheer cinematic rigour and social concern, it’s his best work yet.

The format is fragmented like the recent

Salaam-e-Yuck

, jogging with a bus full of characters and finally unloading them at a singular destination. Gratifyingly, the gambit pays off marvellously here. Honestly, you’ve never met such real people in the movies lately..the sort you pass by on the street every day but either ignore or pretend not to notice.

In fact, it is more than likely that you’ll never feel smug at the green-red-and-blues again. Here are the city’s fringe-dwellers devising ways to beg, borrow or steal.

Leading the derelicts, there’s Silsila (Kunal Khemu), named after the Yash Chopra movie which his dad liked…it’s another matter that dad must have been a minority of one at the time of its release. Sillysila organises traffic jams and stages faux accidents to pocket money from the Benzes and the Marutis.

Redeemingly, the little people are utterly plausible. Especially the saucer-eyed kids, one orphaned by tsunami in the south and the other, hung up on fair and lovely creams. As for the two cell phone callers, on the prowl for new bank accounts, they’re screamingly funny. Ditto, the multiplex moviegoer who strips down to his underwear to cry and beg money for his popcorn fix.

Silsila’s romance with a Gujarat handloom vendor (Neetu Chandra) is engaging simply because it is not overplayed. Believe it or not, melodrama is quite conspicuous by its absence. At the same time, you do wish there was an infinitely more solid plot in the script co-scripted by Sachin Yardi.

 
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