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Mayank Shekhar's review: Miley Na Miley Hum

Actor Chirag, I’m told, is the blue-eyed boy of a popular Bihari politician (Ramvilas Paswan). Literally. Unless those are blue contact lenses in his eyes. You can tell why his father must think he could succeed at show business.

Updated on: Nov 5, 2011, 11:06:43 IST
Hindustan Times | By , Mumbai
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Just In: Loverboy, tennis-champ Chirag!



Miley Na Miley Hum

Director
: Tanveer Khan

Actors: Chirag Paswan, Kangana Ranaut

Rating: *



How many times must a debutant hero emerge from the same screen, to repeatedly announce his arrival: The one here first gets out in slo-mo from a BMW (first shot), then out of a chopper (to meet his mother), on a Lexus convertible (that his mother gifts him), bang in the middle of a wedding dance party (in a village), into the tennis stadium (where he plays the National finals)….



The boy is called Chirag – in life, as in this movie. "Chirag baba" is the oddly uncomfortable, untrained performer, casually low on body movements, high on screen time; he plays a quiet young heir, given to monosyllables and mono-expressions. His father (jaded Kabir Bedi) orders him around in his vineyard. Old man looks like the hammy old-world zamindar.



For the obedient son, the nights belong to floodlit tennis courts, where he practices whacking the tennis racket like a ping pong bat, only backhands, so he can become India No 1 some day: that’s his father’s dream, and his mother’s nightmare.



HT Image
HT Image





Excellence at sports is measured on more real, tangible achievements. It’s easy to tell why Sachin Tendulkar is a superstar. He takes care of runs; the runs take care of everything else. Stardom acquired from Indian politics, and cinema (as the hero here seems to be seeking), work differently. Though, in construct, they’re probably both similar to each other.



Firstly, they’re not always based on performance. You could be the world's best actor and yet not make it as a star; most well meaning visionaries may fail at politics. People directly elect their stars, who in turn, play themselves round-the-clock, protecting or perpetuating a particular public image of themselves.



Actor Chirag, I’m told, is the blue-eyed boy of a popular Bihari politician (Ramvilas Paswan). Literally. Unless those are blue contact lenses in his eyes. You can tell why his father must think he could succeed at show business. He has experience at winning elections.



 
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