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Wednesday, Oct 16, 2019

“The sari has become the barometer of the Indian woman’s cultural change,” writes Vogue’s Priya Tanna

Priya believes the fashion industry is finally in a place where it represents the woman with no labels, her whose style, size, skin tone are all-inclusive

brunch Updated: Aug 31, 2019 23:53 IST
Priya Tanna
Priya Tanna
Hindustan Times
Labels no longer apply, and size and skin-tone are all-inclusive, says Priya Tanna (Model: Tanisha. On Tanisha: Sari, Anamika Khanna; jewellery, Amrapali; heels, Christian Louboutin)
Labels no longer apply, and size and skin-tone are all-inclusive, says Priya Tanna (Model: Tanisha. On Tanisha: Sari, Anamika Khanna; jewellery, Amrapali; heels, Christian Louboutin)(Photo shot exclusively for HT Brunch by Hari Nair)
         

What makes up the Indian fashion industry today, you ask? I’ve thought about it long and hard, and the only place to answer this from is a personal one. As I took on the role as editor-in-chief of Vogue India some 10 years ago, the decision was easy – we could either go about the traditional route of commenting on the changing hemlines and necklines of womenswear or we could eschew this from time to time to champion matters central to a woman’s world. And yes, these could very well be the it camel coats to buy for the season, but it could also be co-parenting styles to adopt in a new age, investing your hard-earned money in the best contemporary art of our times, or lessons in carving out your corner room spot at the workplace. The woman we so often put in print, is multi-faceted, manifold and deeply diverse. And the fashion industry that represents this woman has finally caught up with her. Labels no longer apply, and size and skin-tone are all-inclusive. The look I’ve picked here is an Anamika Khanna sari. As the most versatile building block of an Indian woman’s wardrobe, with time it has adapted and become the barometer of her cultural change.

Hindustantimes

When you think of the September issue of a magazine, you inevitably think of The September Issue. That fast-paced, riveting documentary that took us inside the ivory towers of Vogue’s headquarters, and a peek inside the making of its mammoth fashion issue. But silver-screen dramas apart, in real life it does get very close to that. Three months of brainstorming, check-listing, and some near-tear moments result in a glossy’s show of strength in reporting, encapsulating and in many ways, defining culture, all wrapped up in a 200-pager tome or what we call, The September Issue.

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From HT Brunch, September 1, 2019

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First Published: Aug 31, 2019 23:37 IST

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