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Triptii Dimri says audiences now want to see flawed female characters on screen: Nobody is perfect

Triptii Dimri advocates for strong, realistic female characters in films like Maa Behen. She notes that audiences increasingly prefer relatable portrayals.

Published on: Jun 1, 2026, 17:14:31 IST
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Triptii Dimri’s career has been built on characters which aren’t run-of-the-mill- from her debut as a lead in Laila Majnu, to Bulbul, to Animal, her highest-grossing release to date, and O'Romeo. And now, she’s set to be seen in Maa Behen, again a role which does not present her as a conventional heroine.

Triptii Dimri
Triptii Dimri

During a conversation at HT City Stars In The City, in a candid chat with Sonal Kalra, Chief Managing Editor, she was asked by a fan whether the audiences now prefer to watch flawed characters on screen. Triptii replied, “Yes, people want to see more relatable characters, because everyone is flawed, nobody is perfect. Whether it’s me, or Madhuri (Dixit Nene, co star in Maa Behen) ma’am, nobody. When you see flawed characters on screen, you relate to them.”

Which is what pushes Triptii to be on the lookout for headstrong characters, or even ones which don’t follow trends. Talking about Maa Behen in this context, the actor said, “I am sure when audiences watch the film and our characters Rekha, Jaya and Sushma being unapologetically themselves, they will surely relate to them. They will see a glimpse of themselves in these characters.”

Triptii, apart from Maa Behen, will be seen next in the film Spirit, being directed by Sandeep Reddy Vanga and co-starring Prabhas. She also has Animal Park in hand, again helmed by Vanga.

 
ABOUT THE AUTHOR
Rishabh Suri

Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.

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