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Commoners, kings and courtesans

Justin McCarthy is no stranger to the Delhi dance scene, but if you’re new to town you’re probably intrigued by his name. Renuka Narayanan tells more.

Updated on: Jan 22, 2009 06:15 PM IST
Hindustan Times | By , New Delhi
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Justin McCarthy is no stranger to the Delhi dance scene, but if you’re new to town you’re probably intrigued by his name.

Justin is a Western classical pianist who’s been the route as a dancer of Bharata Natyam. These artistes were once a vibrant service sector in the feudal, patriarchal construct of traditional Hindu society.

The devadasis and their musician community were practically hounded out of existence by the Victorian ‘Anti-Nautch Movement’ led by a Miss Helen Tennant. They were actually abolished in 1937 by the Devadasi Abolition Act.

HT Image
HT Image

But a feisty fellow called E. Krishna Iyer campaigned stubbornly for the revival of this dance, originally called Sadir in Tamil.

It caught on and a tide of nationalism hoisted it back on the flag as ‘Bharata Natyam’, helped considerably by ‘Kalakshetra’, the dance institution founded by the late Rukmini Devi Arundale in the 30s.

Justin McCarthy is a graduate of that school (it takes five years). Justin teaches his dance at Shri Ram Bharatiya Kala Kendra in Delhi.

Of his previous productions, I particularly liked ‘Aandaal’ about the girl-saint who adored Krishna, while the one I partly saw in 2006 on the late medieval composer Kshetrayya was cosi-cosi. But his taste — and that of Shobha Deepak Singh, the boss of the Shri Ram show — is impeccable, so his ballets are always very visually pleasing.

In his new production, Rajavilasam, choreographed for six dancers and four musicians, Justin “locates Bharatanatyam in the courtly context, re-imagining how the dance and the dancer may have functioned under royal patrons. Kings and courtesans are the protagonists, their possible loves and probable daily rituals the basis of movement sequences. Period music and poetry provide the soundscapes of this piece.”

At Max Mueller Bhavan, 7 pm, on January 23 and at 7 pm at the India Habitat Centre on January 31.

 
ABOUT THE AUTHOR
Renuka Narayanan

Renuka Narayanan is a commentator and columnist on religion and culture.

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