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Hasmukh review: Vir Das kills a promising idea with a mediocre show

Hasmukh review: Netflix delivers yet another dud with Vir Das’ dark comedy which is neither sinister nor funny.

Updated on: Apr 18, 2020, 16:00:30 IST
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Hasmukh
Director: Nikhil Gonsalves
Cast: Vir Das, Ranvir Shorey, Ravi Kishen

Hasmukh review: Vir Das plays a murderous comedian in the new Netflix Original.
Hasmukh review: Vir Das plays a murderous comedian in the new Netflix Original.

It’s such a shame when a good idea strikes the wrong people. Vir Das had an epiphany for the ages—a stand-up comedian who needs to charge his soul with murder, every time he steps up to the stage. It’s the perfect Killing Joke; or it could have been in the hands of a better writers. What we have now is a joke of a series, which fails to deliver on either the dark or the comedic aspects of the designated genre.

From the beginning itself, things just don’t seem right with Hasmukh (Vir). In the very first scene, the timid and anxious Hansmukh slits his comedian guru’s (Manoj Pahwa) throat when he refuses to fulfil his promise of giving him a break on the stage. This pivotal moment comes too early in the narrative, not giving the audience any time to witness why or how Hasmukh reached his breaking point. It may be his first murder, but he pulls it off with more confidence than any that follow. He shoots right to the stage after splitting open the dead man’s head and delivers a starry performance to a wedding party in Saharanpur.

Watch the trailer for Hasmukh:

Of course, there is absolutely nothing starry about that performance. The screenwriters made a note in the script—*and the crowd goes wild*—and the junior actors laughed and applauded as they were told. But not a single joke from Hasmukh’s murder-induced performance or any that succeeds it through the entirety of the show, is funny in the slightest. The pact with Satan would have seemed more believable if the patni-peedit jokes were not this lame.

But Hasmukh has made up his mind, killing a few bad people is worth a career in comedy. He sets targets on his abusive chachaji, a party leader’s corrupt PA, a greedy lawyer, a girlfriend-beater, a rapist superstar and multiple others. While a couple of these escape his clutches, most end up choked to death with his leather belt.

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For Hasmukh, with each subsequent murder, it becomes progressively a mechanical job but the jokes never improve. The police get on his tail, as he becomes more human with each murder. He tells himself and us that he is not the good guy and that he sees the men he has murdered in his nightmares. However, he never hesitates the next time he sets eyes on his target. His guilt and imposter syndrome manifests itself in the rotting, walking corpse of Manoj Pahwa who sh*t-talks at him before every show. Hasmukh, however, is easily able to ward him off with a wave of his hand.

Hasmukh is joined in his criminal-comedian lifestyle by his manager Jimmy (Ranvir Shorey). Together, they find targets, sign contracts with television studios, throw corpses in incinerators, go on double dates with their girlfriends and meet with mafia bosses. Ranvir and Vir’s chemistry as murderous bros may be the only redeeming factor of the otherwise hopeless series. They quickly become partners in a dark life and have genuine care and affection for each other. Ranvir is also perhaps the only one making a positive contribution in the acting department in this show. His greedy eyes lighten up on seeing a fat paycheck and well up when he is accused of being disloyal. He is also the jumpy, singing, dancing idiot who rarely gets annoying.

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Also read: Karan Johar pens emotional note for daily wage workers, extends help to govt and NGOs to fight Covid-19

But the show makes sure you are reminded often of the substandard mess you are watching. There are multiple shots of cleavages for the perusal of a sleazy television head (Ravi Kishen) that seem more apt for those Tusshar Kapoor movies from the last decade than a Netflix Original. There are also teenage boys pulling on women’s bra straps and landing in a MeToo case of their own. People break into impromptu, choreographed dance parties and every other character has a ‘takia kalaam’ like a SAB TV comedy.

Even with this huge, stinking pile of issues, the biggest crime committed by Hasmukh is that it is hopelessly unfunny. Vir Das was expected to do just one thing correctly and it was giving the series a big helping of humour and wit. But all the jokes do is kill your patience.

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  • Soumya Srivastava
    ABOUT THE AUTHOR
    Soumya Srivastava

    Soumya Srivastava is the Entertainment and Lifestyle Editor at Hindustan Times, bringing over a decade of experience covering movies, celebrities, pop culture, and everything that feels current and compelling. With a sharp editorial lens and an instinct for what resonates, she writes stories that balance insight with accessibility — whether she’s reporting from a red carpet, reviewing a buzzy new release, or unpacking the craft behind cinema. An unabashed Swiftie and a devoted admirer of Christopher Nolan’s filmmaking, Soumya blends heart and analysis in equal measure. She holds a degree in English Literature from Janki Devi Memorial College, Delhi University, and is an alumna of IIMC Dhenkanal (2013). As a Rotten Tomatoes Certified Film Critic, her reviews reflect credibility, cultural awareness, and a nuanced understanding of storytelling across genres and formats. She has interviewed celebrities like Celine Song, Zoya Akhtar, Kajol, Shabana Azmi, Pankaj Tripathi and more. She has also reviwes hundreds of movies and written thousands of stories, made videos, special columns and more. While films remain her first love, Soumya’s interests extend deeply into lifestyle and design. She is particularly drawn to décor, thoughtfully designed spaces, and the subtle ways aesthetics influence everyday living. From celebrity homes and interior trends to broader lifestyle movements, she enjoys exploring how personal taste intersects with identity and modern culture. Her voice is informed yet relatable, analytical yet warm — making her work engaging for a wide and diverse readership. Through her writing, Soumya continues to shape conversations around entertainment, lifestyle, and contemporary culture.Read More

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