From Sonu Ke Titu Ki Sweety to Batti Gul Meter Chalu and Sui Dhaaga: Why is Bollywood going ‘desi’? | bollywood | Hindustan Times
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From Sonu Ke Titu Ki Sweety to Batti Gul Meter Chalu and Sui Dhaaga: Why is Bollywood going ‘desi’?

A slew of upcoming Bollywood films’ titles - Sonu Ke Titu Ki Sweety, Batti Gul Meter Chalu, Veere Di Wedding, Dil Juunglee -reflect a colloquial ‘desi’ vibe, and experts say it helps to establish a connect with the ‘desi’ audience.

bollywood Updated: Apr 01, 2018 19:06 IST
A still from Sonu Ke Titu Ki Sweety.
A still from Sonu Ke Titu Ki Sweety.

Sonu Ke Titu Ki Sweety was quite a tongue twister, wasn’t it? A slew of upcoming Bollywood films’ titles reflect a colloquial ‘desi’ vibe, and experts say it helps to establish a connect with the ‘desi’ audience.

Picture this; Batti Gul Meter Chalu, Veere Di Wedding, Dil Juunglee, Nanu Ki Jaanu, Shaadi Teri Bajaayenge Band Hum, Chanda Mama Door Ke, Sandeep Aur Pinky Faraar, Sui Dhaaga - Made In India, Ek Ladki Ko Dekha Toh Aisa Laga and Pal Pal Dil Ke Paas are some of the movies this year which are attracting curiosity with their quirky titles.

Interestingly, they are a mix of multi-starrers, comedies, sci-fi entertainers, romantic dramas and experimental themes.

Actor-writer Manu Rishi Chadha, who has penned Abhay Deol-starrer Nanu Ki Jaanu, said ‘desi’ titles establish a personal connect with the audience from the word go.

“Words and names like Titu, Bittu, Tinku, Monu, Sonu, Bunty, Lucky, Nanu and Jaanu sound like your own house’s kids and the audience feels like it is their own story. So, it’s all an effort to reach the common family’s heart, to get their love and adulation, which leads to good box office.

A still from Nanu Ki Jaanu.

“As much as 80% of people in India find a character like themselves in films, so if a title gives them that, their heart and our box office gets set,” Chadha told IANS.

Sonu Ke Titu Ki Sweety put viewers in quite a fix as many of them struggled to get the title right, sometimes calling it “tweety”. But it helps, said the film’s director Luv Ranjan.

“I have always had a thing for quirky titles like Sonu Ke Titu Ki Sweety, like my own Pyaar Ka Punchnama. They take time to get registered in the minds of the audience, but when they do, they become memorable,” said Ranjan.

Quirky titles with an informal and conversational sound are not a new trend.

Film historian SMM Ausaja cited how movie makers have used this formula to attract attention since years altogether.

“Take a film like the 1955 film Garam Coat or the 1956 movie Chhoo Mantar... Then there was Chameli Ki Shaadi or more recent ones like Utt Pataang, Bhagam Bhag... Films of Johnny Walker and Bhagwan Dada had desi titles... Most of such quirky names are comedies which require amusing titles,” Ausaja told IANS.

He said using offbeat titles not just amps up the audience’s curiosity level, but also helps in retaining a movie in their mind.

Last year was no different in terms of catchy titles.

A still from Haraamkhor.

Haraamkhor, Laali Ki Shaadi Mein Laaddoo Deewana, Begum Jaan, Meri Pyaari Bindu, Behen Hogi Teri, Bank Chor, Bareilly Ki Barfi, Shubh Mangal Savdhan and Shaadi Mein Zaroor Aana were some such movies.

According to film and trade business analyst Girish Johar, the trend is becoming more visible with the changing taste of the audience, which has gradually taken a liking to stories that are Indian at heart and based in the hinterlands.

“The audience wants to watch realistic stories, and draw entertainment in a realistic way. So, the stories and also the titles are selected in that particular manner,” he said.

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