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Ramayana teaser review: Ranbir Kapoor won't let you miss Arun Govil, but Valmiki-meets-Avatar visuals feel alien

Ramayana teaser review: Ranbir Kapoor channels Lord Rama in Nitesh Tiwari-directed and Namit Malhotra-produced epic Ramayana Part One.

Apr 2, 2026, 13:32:22 IST
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The ‘Rama glimpse’ of Ramayana, Nitesh Tiwari’s adaptation of the epic, was unveiled today, on the occasion of Hanuman Jayanti. The teaser video gave the first look at Ranbir Kapoor as Lord Rama in the big-budget film. Ramayana may just be the most ambitious Indian film ever made. The collaborations producer Namit Malhotra have sought to exemplify his vision. And the teaser did deliver, almost. It dazzled, shone, and even thundered for a while, but all the while giving a feeling that it could do with a little more soul.

Ranbir Kapoor as Lord Rama in Ramayana teaser.
Ranbir Kapoor as Lord Rama in Ramayana teaser.

Ranbir Kapoor as Lord Rama

The focus of the Ramayana teaser was on Ranbir's first look as Lord Rama. There had been a lot of chatter around the actor’s casting in the iconic role. To me, Ranbir’s look as Rama is perfect. Despite the supposed baggage of his own image and stardom, he has looked the part. He brings the kindness and grace needed for the role. The only thing missing is that the teaser did not feature a single line of dialogue from him. I would have loved to see if the grace extends to his diction, too.

The thing that does rankle is that Lord Rama’s tale is one of simplicity. Despite being an incarnation of Lord Vishnu, Rama lived as a simple man, leading by example on how to be. That is where the ‘Maryada Purushottam’ comes from. But a film made for $500 million does need to elevate the hero, and here the simplicity gives way to swagger. Don’t get me wrong. I loved the warrior aspect of Rama coming to the fore. But would have loved to see his innate ‘soumyata’ as well.

Visually spectacular

The detailing of the sets and visuals is splendid. Ayodhya looks almost like the one described in Valmiki’s Ramayana. The short glimpse of Pushpak Vimana in Lanka is also noteworthy. I do like how they have depicted Lanka as an opulent and grand empire, as it was always described, rather than a dark abode of the asuras, as many adaptations have shown it to be.

The sequences are grand. The cinematography, lighting, and VFX complement them well. The issue is with some of the character designs. The asuras, in particular, look like something out of Lord of the Rings or Game of Thrones. Lord Rama is meant to fight asuras and daityas and not ogres and orcs. That may be an attempt to make the film palatable for global audiences, but to me, it ripped it of its core identity and roots. The VFX in some of the battle sequences, shot in an icy world, are not of the quality one would expect from DNEG, the global market leader in visual effects.

An Avatar-esque Ramayana

The teaser reminded me of the Avatar films, full of splendid jaw-dropping visuals, but with very little that tugs at your heart. Ramayana, from the looks of it, may just be the best-looking Indian film made till now. It is miles ahead of the ghastly Adipurush that was a slur on the epic’s name. But it still feels a little too alien, more sanitised and polished, to be appealing to audiences around the world. I hope that does not happen at the expense of its core audience. It’s still six months before the film releases. More teasers and trailers will follow, and I hope they will correct the flaws and build on the positives.

  • Abhimanyu Mathur
    ABOUT THE AUTHOR
    Abhimanyu Mathur

    Abhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More

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