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Ramayana The Legend of Prince Rama review: The best adaptation of the epic washes away the scars Adipurush gave us all

Ramayana The Legend of Prince Rama review: Yugo Sako's era-defining anime, co-directed by Koichi Sasaki and Ram Mohan, is finally in Indian cinemas.

Updated on: Jan 24, 2025, 14:34:27 IST
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Ramayana The Legend of Prince Rama review: Growing up, we have all watched Ramayana: The Legend of Prince Rama on Doordarshan and YouTube. Be it the Hindi version or the English dub, we have appreciated them all. So, one might wonder why this film is needed in theatres now. Of course, there is nostalgia, a powerful enough reason, as evident by the flurry of re-releases. But The Legend of Prince Rama has much more going for it. The experience of watching Yugo Suko's era-defining animation in 4K on a big screen is worth a trip to the theatre. Yes, the dub is new, and the voices are fresh, but that does not take anything away from what is arguably the best adaptation of Ramayana ever made. (Also read: Two films released with same story, characters: One became highest-rated Indian film, other lost 220 crore; here's how)

Ramayana The Legend of Prince Rama review: The Japanese anime is hands down the best adaptation of Ramayana.
Ramayana The Legend of Prince Rama review: The Japanese anime is hands down the best adaptation of Ramayana.

The Legend of Prince Rama tells a cross-section from the Ramayana, focussing on the events during Lord Rama's exile to the abduction of Sita and the eventual battle of Sugreeva's vaanar sena with Ravana's demons. It is a tale most Indians know by heart. But the film makes it work by evoking the simplicity of Ramayana and blending it with animation that has stood the test of time.

Ramayana The Legend of Prince Rama does not appear dated

Despite being originally made in 1992, The Legend of Prince Rama does not appear dated in any way. The animation is just as fresh as it was 33 years ago. In fact, digital remastering has made sure that it appears just as fine on the big screen, too. The visuals have been the film's strength ever since it was first shown on DD three decades ago. And that gets only better on the big screen. It was quite successful in healing the scars I had from watching (enduring) Adipurush a couple of years ago.

The simplicity in the narrative is not lost, though. It shines through as the dubbing complements the animation rather than trying to compete with it. The songs, which have been popular among Indian millennials, are a bit unfamiliar too. We hear the Sanskrit versions of popular tracks like Janani Main Raamdoot Hanuman and Vaanar Sena instead of the more familiar Hindi ones. But again, Vanraj Bhatia's music is a balm to the ears. And the songs still fit very well. To those who have never watched the OG version, there'll be little to crib about.

Wish there was a bit more nuance though

The Legend of Prince Rama may be the best adaptation of Ramayana, but it is still not without its flaws. It presents a very black-and-white take on the epic, glossing over Ravana's wisdom and presenting him as an evil asura and nothing more. Similarly, it chooses to omit Sita's agni-paksha as well, keeping the narrative uncomplicated, but also loses some of the nuances that any retelling of Ramayana needs.

If I had one complaint about this delayed release (beyond the fact that it has taken 33 years to release in India), it would be that not all films need intervals. This one could have been done without them.

 
ABOUT THE AUTHOR
Abhimanyu Mathur

Abhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.

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