Disney launches own giant screen format as it loses IMAX screens for Avengers Doomsday to Dune Three in Dunesday clash
Disney is partnering with movie theatre chains on a new large-screen format set to roll out in time for the Avengers: Doomsday release in December.
It is unclear if it is in response to the much-awaited Dunesday clash or just Disney diversifying into the exhibition side of cinema, but the movie giant is now partnering with theatre chains to bring a new large-format screen certification. Infinity Vision, a giant screen format, is being seen as a rival to IMAX and will roll out in time for the release of Avengers: Doomsday in December.

Disney launches Infinity Vision
Bloomberg quoted people familiar with the matter saying that to qualify for the new Infinity Vision label, auditoriums will need a screen width of at least 50 feet, laser projection, and the 7.1 surround-sound system from Dolby Laboratories Inc. The report stated that around 5,500 screens globally would meet the standards for the new label. This is about thrice the number of existing IMAX venues worldwide.
IMAX is globally recognised as the gold standard of premium large-screen formats. Studios regularly set release dates based on how many IMAX screens are available to present their films.
Last year, several theatre chains held meetings about the possibility of establishing an industry-wide certification for their premium screens. So far, AMC Entertainment Holdings Inc.’s XL, Regal Cineworld Group’s RPX and Cinemark Holdings Inc.’s XD are all marketed separately. Bloomberg's report says Disney is in talks with multiple chains, but hasn’t disclosed how many chains it’s signed up so far. Theatre operators would still be able to offer their own big-screen brands alongside the Infinity Vision certification.
A timeline for its rollout has not been announced, but industry insiders estimate that it could be as early as September, when Avengers: Endgame, Disney's highest-grossing film ever, re-releases in theatres.
How Dunesday clash led to Infinity Vision
The founding of Infinity Vision is in part the result of Disney's tentpole Marvel superhero film, Avengers: Doomsday, not having exclusive access to IMAX screens when it opens the weekend of 18 December. The film is clashing with Denis Villeneuve’s Dune: Part Three, backed by Warner Bros., and IMAX has an agreement in place to screen that film. The lack of IMAX access for its biggest film is a financial and prestige loss for Disney. Disney contributes more to IMAX’s revenue than any other Hollywood distributor.
Avengers: Doomsday marks the return of the Russo Brothers to the Marvel Cinematic Universe as directors. The film also brings back Robert Downey Jr., who no longer plays Iron Man but instead plays the antagonist Doctor Doom. Dune Part Three, on the other hand, is the conclusion of Villeneuve’s trilogy of Frank Herbert's saga, starring Timothee Chalamet in the lead role.
ABOUT THE AUTHORAbhimanyu MathurAbhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More

E-Paper


