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The Unbearable Weight of Massive Talent movie review: This meta homage to Nicolas Cage is peak absurd entertainment

The Unbearable Weight of Massive Talent movie review: Nicolas Cage delivers his most craziest, most entertaining performance in years. The film is bizarre yet thoroughly entertaining.

Published on: Apr 23, 2022, 14:08:04 IST
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Frankly, Nicolas Cage passionately kissing a younger version of himself on screen was not on my 2022 Bingo. But hey, that's not even the weirdest scene in Tom Gormican's latest film The Unbearable Weight of Massive Talent. This very ‘meta’ film, which has Nicolas Cage playing a fictionalised version of himself is bizarre, absurd, and at times quite silly. But throughout all this, it remains thoroughly entertaining. And even though the bar is low on that parameter, it is easily the craziest Nicolas Cage film. Also read: Nicolas Cage says he's 'never going to retire' from acting: 'I'm healthier when I'm working'

The Unbearable Weight of Massive Talent review: Nicolas Cage plays a fictionalised version of himself in this absurd but entertaining film.
The Unbearable Weight of Massive Talent review: Nicolas Cage plays a fictionalised version of himself in this absurd but entertaining film.

The comedy-action-thriller has Nicolas Cage starring as a washed out movie star named...well, Nick Cage, who finds himself in an unwanted position of being used by the CIA to spy on a crime lord (Pedro Pascal), who happens to be his biggest fan. The two are supported by an assortment of actors with Sharon Horgan playing Nick's fictional ex-wife, Tiffany Haddish and Ike Barinholtz as CIA agents, and Neil Patrick Harris as the actor's agent Richard Fink.

We see references to Moonstruck, Gone in 60 Seconds, Face-Off, and Con Air, and also jokes about Nicolas' 'spending habits' (for the unversed, Nicolas spent a $150 million fortune and ended up in debt in real life). The film is a gold mine of Easter Eggs for pop culture aficionados. But it's much more than that. It's a smartly-written film, which infuses situational natural humour and witty dialogue. Granted, it largely depends upon the star power and charisma of its lead, but it makes the most of it.

The film hinges on the chemistry between the two leads--Nicolas and Pedro, and they do not disappoint. The two actors are in fine form and feed off each other in their scenes. Their exchanges light up the screen. I would gladly give an arm and a leg to see them in a buddy-cop action film. The movie's clever use of a younger Nicholas Cage to depict the actor's internal monologue pays off. Scenes featuring 'Nicky' are the most entertaining parts of the film.

The chemistry of Nicolas Cage and Pedro Pascal is one of the highlights of the film.
The chemistry of Nicolas Cage and Pedro Pascal is one of the highlights of the film.

It's not the first time a major star has played a fictionalised version of themselves on screen. John Malkovich did it in Being John Malkovich back in 1999. Shah Rukh Khan parodied himself not once but twice--in Billu and Fan. And more recently, Anil Kapoor brought his whole family with him in Netflix's AK vs AK. What makes Unbearable Weight different are two factors. First is that this film has a star not at the top of their game but one who carries a tag of a 'has-been' (albeit now observing a renaissance of sorts since his last release, the highly acclaimed Pig). To own up to that and make fun of it for millions to watch is honest and brave. And it makes for much more sincere entertainment than any of the aforementioned films.

The second distinguishing factor for the film is how the star fits in the story. In AK vs AK, Anurag Kashyap could have taken on any other actor and it would have made sense. In fact, the film was initially AK vs SK with Anurag kidnapping Mira Rajput to get back at Shahid Kapoor. Similarly, Fan could have been about Hrithik Roshan or Salman Khan and it may still have worked. But Unbearable Weight needs Nicolas Cage. He is an Oscar winner but he is also the man who played John Milton in that utterly forgettable film Drive Angry. He is someone who starred in some of the biggest hits of the 90s and 2000s but also the man who had been making straight-to-video films over the last few years. That mercurial, unpredictable character of Nicolas Cage is what makes the film entertaining.

Before a pig wandered into his life, the former Ghost Rider and Face-Off star had, in recent years, been relegated to doing titles like Running With the Devil and Vengeance: A Love Story. In some way, The Unbearable Weight of Massive Talent and Pig have introduced him to a whole new generation of cinema lovers who have always wondered why their parents ever liked this guy. So, I could say Nicolas Cage is back. But then, I'm sure he'd say the same thing he says in the movie repeatedly: "Not that I went anywhere!"

The Unbearable Weight of Massive Talent had its world premiere at South by Southwest in Texas on March 12, and released in theatres on Friday, April 22. The film has been produced by Saturn Films and Burr! Productions and distributed globally by Lionsgate.

Film: The Unbearable Weight of Massive Talent

Director: Tom Gormican

Cast: Nicolas Cage, Pedro Pascal, Sharon Horgan, Ike Barinholtz, Alessandra Mastronardi, Jacob Scipio, Neil Patrick Harris, and Tiffany Haddish

  • Abhimanyu Mathur
    ABOUT THE AUTHOR
    Abhimanyu Mathur

    Abhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More