Kayoze Irani: I liked the idea and challenge of launching Ibrahim Ali Khan in Sarzameen, he suited the character
Kayoze Irani talks about the initial plans of his directorial debut Sarzameen being Ibrahim Ali Khan's acting launch, and the character's speech impediment.
Kayoze Irani is completely satisfied with the response to his feature film directorial debut with Sarzameen. Originally meant to be actor Saif Ali Khan’s son Ibrahim’s acting debut, some delays led to it being his second film, and one which generated him comparatively better reviews than Nadaaniyan.

Kayoze says it was an unconventional debut had it released first, “I thought it would be nice if Ibrahim had a slightly different debut, where he was almost the antagonist. We had a lot of injuries on our film- Prithviraj (Sukumaran) sir broke his knee, I broke my back, so the film got pushed by six-seven months. It was not fair to keep the other film on hold, so that came out. What I loved about Sarzameen is the family drama within the militancy and all the action.”
The character played by Ibrahim has a speech problem in the film. Co-incidentally, in real life as well the 24-year-old has had to overcome the same. Ask Kayoze whether that played a key role in Ibrahim bagging the film, and he replies, “Hand on my heart, the stammer in the character was there before we cast Ibrahim. When I met Ibrahim, I realised that’s a part of it. It just happened. I liked the idea of the challenge of launching Ibrahim. He suited the character a lot more, that’s what we wanted.”
Kayoze felt the pressure of handling a newcomer’s career- along with his own. “I had decided that Ibrahim and my career are going to be connected. His success is my success, and the same for failure. Kajol ma’am and Prithviraj sir had nothing to prove. I and Ibrahim sat down together and had a conversation. The audience reaction has been extremely strong, the numbers have been very good for the platform. I am overwhelmed, and deeply touched,” he says.
ABOUT THE AUTHORRishabh SuriRishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.Read More

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