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After Nepal and Pak, Bangladesh flags mural in new Parliament, wants explanation

India has sought to play down the mural that stoked controversy and last week said the artwork only depicts the spread of the prehistoric Ashokan empire.

Updated on: Jun 7, 2023, 15:10:07 IST
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NEW DELHI: After Nepal and Pakistan, the political leadership of Bangladesh too has raised the issue of a mural in India’s new Parliament building, with minister of state for foreign affairs Shahriar Alam asking the Bangladeshi mission in New Delhi to seek an explanation on the matter.

Bangladesh minister of state for foreign affairs Shahriar Alam said the high commission in Delhi has been asked to get an “official explanation”. (Twitter/)
Bangladesh minister of state for foreign affairs Shahriar Alam said the high commission in Delhi has been asked to get an “official explanation”. (Twitter/)

India has sought to play down the mural that stoked controversy in neighbouring countries. External affairs ministry last week said the artwork only depicts the spread of the prehistoric Ashokan empire.

During an interaction with the media at the foreign ministry in Dhaka on Monday, Alam said the mural has “nothing to do with politics” and there is no reason to “get confused about it”, according to reports in the Bangladeshi media.

Alam added that the Bangladesh high commission in New Delhi has been asked to talk to the external affairs ministry to get an “official explanation”.

“There is no reason to express doubts about it. However, for further clarification, we have asked the mission in Delhi to speak to the Indian ministry of external affairs to find out what their official explanation is,” Alam was quoted as saying by Dhaka Tribune.

There was no official word from Indian officials or the Bangladesh high commission. People familiar with the matter said the Bangladesh mission is expected to raise the issue during a meeting with Indian officials.

The people cited above said the mural figured in social media posts in Bangladesh in recent days but had not become a major topic of discussion among the public.

The mural has been referred to by some BJP leaders as a representation of “Akhand Bharat” or unified India that includes parts of several neighbouring countries. These remarks didn’t go down well with political leaders in Nepal and Pakistan.

“The mural...depicts the spread of the Ashokan empire and the idea of responsible and people-oriented governance that [Emperor Ashoka] adopted and propagated,” external affairs ministry spokesperson Arindam Bagchi said during a weekly media briefing last week.

The mural depicts ancient sites such as Lumbini and Kapilvastu in Nepal and historic locations in present day Pakistan.

Ahead of Nepal Prime Minister Pushpa Kamal Dahal’s viist to India last week, the country’s political leaders urged him to raise the matter with Indian interlocutors and to seek the removal of the mural. But Bagchi said the matter was not formally raised by Dahal during talks in New Delhi

 
ABOUT THE AUTHOR
Rezaul H Laskar

Rezaul Hasan Laskar is Foreign Editor with the Hindustan Times, which he joined in 2015. He began as a journalist in his hometown of Shillong in northeast India and has worked in newspapers and wire services over the years. He moved to New Delhi in 1997 and initially focused on defence, national security, Jammu and Kashmir and the northeast, while also working of foreign policy and international relations. He has been part of the media delegation accompanying PMs on foreign visits and has reported from destinations ranging from Tibet to Ukraine. Between 2007 and 2013, he was the Press Trust of India correspondent in Pakistan, one of only two Indian journalists allowed to report from the country. He extensively covered Pakistan’s domestic politics and the life of the common people, as well as the fallout of the 2008 Mumbai attacks on India-Pakistan relations and the subsequent trial in Pakistan of the suspects involved in the attack. As part of his reportage in Pakistan, he travelled the breadth of the country, from the Swat Valley to Balochistan. Reza’s first gig in journalism was writing a weekly music column, and music – especially classic rock – remains a keen interest. He is also a movie buff and a keen photographer.

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