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Mountain Echoes: Discovering Bhutan's culture

Bhutan is breathtakingly beautiful, the people are polite and friendly, and they love Hindi cinema! What more could one ask for?

Updated on: Aug 30, 2015 02:36 PM IST
Hindustan Times | By , New Delhi
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As Misty Terrace, a local Bhutanese music band breaks into Jeena Jeena from the Hindi film Badlapur, the crowd at Mojo Park, a live music lounge in Thimphu, comprising mostly of young Bhutanese, joins in enthusiastically. "There's no escaping Bollywood," I whisper to musician Raghu Dikshit, as he unwinds at Mojo post his concert at the city's Clock Tower earlier that evening."It is a revelation," he nods.



As was my four-day stay in Bhutan to cover Mountain Echoes - the Bhutan festival of literature, art and culture. Held between August 20-22, this was the sixth edition of the festival that enjoys the patronage of the Royal Queen Mother Ashi Dorji Wangmo Wangchuk of Bhutan. For weeks before my visit, friends, family and colleagues had all uniformly gushed about Bhutan being a "lovely place". But nothing could have prepared me for the breathtakingly beautiful view from the aeroplane window, as the pilot expertly manoeuvred the craft between the mountain peaks and landed smoothly at Paro airport, said to be one of the world's most difficult landing strips. Bhutan's cloud-kissed mountains and lush vegetation are like balm to a body and soul choked daily by New Delhi's polluted air.



For an Indian, spoilt by the West's exaggerated praise of our country's "exotic" cultural beauty, the exposure to Bhutan is a study in what we have lost. There is a balance between progress and tradition here, a perfect example of which is their architecture. Malls, banks, multi-storeys and offices are all in the mould of traditional Bhutanese structures, unlike the uniform glass-front buildings that have come to characterise all urban Indian spaces. And unlike Indians, most Bhutanese men and women carry the national costume with grace through the day, reserving the ubiquitous jeans for their leisure hours.



The Dochula Pass in Bhutan is a popular destination for both tourists and locals. (Photo: Tourism Council of Bhutan)
The Dochula Pass in Bhutan is a popular destination for both tourists and locals. (Photo: Tourism Council of Bhutan)
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It's impossible to be in a place like that and not be influenced by it. And so like Dublin does in all of James Joyce's literature, Bhutan became a living, breathing character at Mountain Echoes. From the art of writing biographies to food, women's rights and the environment, nothing was beyond the scope of discussion. "While approximately 70 per cent of Bhutan is under green cover, in India we are losing about 333 acres of forest every day," said journalist-writer-conservationist Bahar Dutt. While Ashwin Sanghi and Chetan Bhagat gave readers a peek into their writings, others mulled on prostitution, domestic violence, eroticism in literature and religious fundamentalism. On the sidelines were photography exhibitions, puppet shows and performances by Bhutanese and Indian musicians like Raghu Dikshit. "At lit fests you get to meet your readers. But writers have to be selective about which festivals they attend. If a festival is inclusive, like this one is, it is worth attending," said writer Patrick French.



This year, as the festival coincided with the celebrations of the 60th birth anniversary of the fourth king of Bhutan, Druk Gyalpo Jigme Singye Wangchuk, Mountain Echoes also saw discussions on politics and democracy (introduced in Bhutan by the king), Bhutanese culture and Gross National Happiness - a phrase coined by the fourth king as a yardstick to examine the wellbeing of the Bhutanese. Mountain Echoes is also credited with having inspired the Bhutanese to read and write more. "We have many young writers writing in English and the vernaculars today. But most of these books are self-published as international publishers are yet to arrive in Bhutan," said writer and one of the festival directors Kunzang Choden.



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And what is the position of women in Bhutanese society?

Men and women are equals in Bhutan. It just so happened that in the past when we started modern education, more men were sent to the institutes for education. It's not because men were picked and women were not, but in the past the education that was given was in the form of central monastic religious order and they were all men. However, in the later years, from the seventies, there was not much difference in the numbers. Women traditionally inherited properties. However, there is a lot to be done for the welfare of women and in making them more independent economically. The Tarayana Foundation is trying to do whatever we can to enhance the income of the women through income generating activities like basket making, pottery, weaving and so on. We also market their products.



You have just had your first woman minister in the government.

Yes. Generally in the civil service the ratio of men and women is at par. But in the higher strata there are fewer women, much fewer women. But it's all going to change in the future (laughs).



What are the most pressing challenges facing Bhutanese society?

One problem we are facing is the rural-urban migration. It's going to be a huge challenge to absorb everybody who wants to come to Thimphu or the other cities. Another challenge is to make them stay in their villages. I would wish Bhutan and our villages to retain their original character but with better facilities and better income opportunities so people will remain in their villages.



How has democracy changed the role of the royal family in Bhutanese society? Have your responsibilities lessened?

I have become busier, more involved and so have my royal sisters. We all have our different responsibilities. All of us are here to serve our people through our various organisations. We are now older, more mature, more experienced so I feel we have more to contribute now.



Writer's Corner: Heard at the festival





Sprititual Pass

The Dochula Pass in Bhutan connects the country's capital in Thimphu to the Punakha area. In 2003 when the fourth king of Bhutan Druk Gyalpo Jigme Singye Wangchuk was leading a force against militants his wife and the present Royal Queen Mother Ashi Dorji Wangmo Wangchuk decided to build 108 stupas there which she did, followed subsequently by a temple. Later she initiated an annual festival to be held at the pass. Her book Dochula: A Spiritual Abode documents this transition of the pass and was released on the last evening of Mountain Echoes 2015. Writer Patrick French also conversed with Her Majesty the Royal Queen Mother Ashi Dorji Wango Wangchuk and writer and director of Centre for Bhutan Studies Dasho Karma Ura on the transition of the pass.



The writer was hosted by the organisers of Mountain Echoes.

 
ABOUT THE AUTHOR
Poulomi Banerjee

Poulomi Banerjee is assistant editor at Hindustan Times.A journalist with over a decade’s experience, Poulomi has reported on varied subject, but human rights and gender issues are her preferred areas of work

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