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RK Narayan and more: The flavour of small towns in our novels

ByAmitava Kumar
Jan 03, 2016 09:54 AM IST

Amitava Kumar on the appeal of the novels that best capture the flavour of small-town India.

Politicians offer propaganda in a loud voice. Ditto for pundits. I love the small voice of literature. As Joan Didion said, we tell ourselves stories in order to live.

The frontrunners : Upamanyu Chatterjee’s English, August challenged the staidness of colonial English; a few years later, Vikram Seth’s A Suitable Boy spoke in a voice that had all the transparency of a Hindustani novel.
The frontrunners : Upamanyu Chatterjee’s English, August challenged the staidness of colonial English; a few years later, Vikram Seth’s A Suitable Boy spoke in a voice that had all the transparency of a Hindustani novel.
The small town in 2015: In The Patna Manual of Style, Siddharth Chowdhury has woven wonderful fiction around Patna; In Ishq Mein Shahar Hona, Ravish Kumar explains that Delhi entered his consciousness through an image: women in nighties on balconies; And most recently, Ratika Kapur’s The Private Life of Mrs Sharma presents the voice of the small town and also the tumult of the big city.
The small town in 2015: In The Patna Manual of Style, Siddharth Chowdhury has woven wonderful fiction around Patna; In Ishq Mein Shahar Hona, Ravish Kumar explains that Delhi entered his consciousness through an image: women in nighties on balconies; And most recently, Ratika Kapur’s The Private Life of Mrs Sharma presents the voice of the small town and also the tumult of the big city.
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