Homebound movie review
Rating: 3.5 stars
It has taken Neeraj Ghaywan a decade to follow up Masaan (2015) with a full feature film. The obvious question: why the long wait?
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It has taken Neeraj Ghaywan a decade to follow up Masaan (2015) with a full feature film. The obvious question: why the long wait?

His latest, Homebound, arrives with an unlikely backer: Karan Johar. The man who built his empire on candy-floss romances with sky-high budgets is now producing a film that stares at caste prejudice and religious discrimination. That alone makes Homebound worth paying attention to.
The story follows Mohammed Shoaib Ali (Ishaan Khatter) and Chandan Kumar (Vishal Jethwa), childhood friends from a small village in North India. Both dream of clearing the national police exam and escaping poverty. But when Chandan makes the cut and Shoaib does not, their friendship cracks. Adding another layer is Sudha Bharti (Janhvi Kapoor), who grows close to Chandan. What unfolds is less about ambition than about fate and survival.

The film is based on journalist Basharat Peer’s The New York Times article 'A Friendship, a Pandemic and a Death Beside the Highway'. Set during Covid, it draws from the haunting real image of a man cradling his unconscious friend, trying to give him water on the road home, one of countless migrants forced to walk back to their villages. That photograph led Peer to uncover a tragic story, and Homebound builds on that truth.
Shot in Madhya Pradesh, Ghaywan and cinematographer Pratik Shah capture the texture of rural India with authenticity. The first half establishes the friendship and, crucially, the caste system that still governs lives in many parts of the country. In a piercing scene, Chandan checks his exam results, only to be asked by the official which category he applied from. Vishal Jethwa’s performance here is very effective- his hesitation and lie about belonging to the general category, all of which come back to haunt the narrative in the film’s final moments.
The second half shifts gear, tense and unsettling as it chronicles the ordeal of migrants after the sudden lockdown. Ghaywan recreates those days with precision, reminding us of a section of society that did not have the luxury of staying home. By the time the film reaches its devastating climax, you may find yourself reaching for a tissue.
Performances hold the film together. Vishal Jethwa and Ishaan Khatter bring vulnerability to their roles, their chemistry as childhood friends fully convincing. Ishaan’s emotional breakdown hits hard in one scene, while Vishal’s turn in the climax lingers long after. Janhvi Kapoor delivers an earnest performance, while Shalini Vatsa, as Chandan’s mother, quietly grounds the film with grace.
Overall, Homebound is not just a film about friendship, caste, or migration. It is a reminder of humanity brought to its knees by a pandemic, and of the invisible lives that bore the heaviest weight in our country.

Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.Read More


