Is The Raja Saab Prabhas' biggest flop? Here's how the box office bomb compares to Adipurush, Radhe Shyam, Saaho
The Raja Saab, Prabhas' foray into horror comedy, is projected to lose around ₹160-170 crore at the box office.
The year 2026 started with Prabhas bringing out a return to his vintage avatar in The Raja Saab. The horror comedy was being touted as the first pan-India film of the year and potentially the year’s first blockbuster. After a huge opening, courtesy Prabhas’ star power, the film fizzled out due to extremely bad word of mouth. And now, less than two weeks later, it stands on the precipice of being one of the biggest box office bombs in Indian cinema history.

The Raja Saab’s box office debacle
The Raja Saab released on January 9 amid much fanfare, securing 35000 screens globally. The wide release it secured across India was largely due to Prabhas’ pan-India appeal. This enabled the film to earn ₹100 crore gross worldwide on the opening day alone. But that proved to be a false dawn, as the Maruthi directorial crash-landed on the second day itself. Day after day, The Raja Saab lost ground at the box office and suffered further when Chiranjeevi’s Mana Shankara Vara Prasad Garu overtook it three days later.
After 11 days at the box office, The Raja Saab has earned ₹141 crore net in India and ₹203 crore gross globally. After tax deductions, the film’s worldwide net gross is estimated at around ₹160 crore. According to trade pundits, the film may struggle to reach ₹200 crore global net. Given the film’s massive landing cost of ₹350 crore, it will leave distributors with a significant loss. The notional box-office loss for the film is estimated at around ₹160-170 crore.
Is The Raja Saab Prabhas’ biggest flop?
Prabhas is arguably one of the biggest film stars in India right now. Baahubali catapulted him to nationwide fame. However, barring Salaar and Kalki 2898 AD, the actor has failed to convert that stardom into box-office success. Four of his releases since Baahubali - including The Raja Saab - have been unsuccessful at the box office. All of them have been massive films that lost heavily. It is a testament to just how bad the track record has been that with its projected ₹160 crore loss, The Raja Saab is not even among the worst two flops of Prabhas.
Adipurush, Om Raut's ill-fated adaptation of the Ramayana, remains Indian cinema’s biggest money-losing film. The film was made on a record budget of ₹550 crore, and ended up making just ₹288 crore in India and $6 million overseas. Its estimated global net collection was just ₹310 crore, giving the film a notional loss of ₹240 crore. Similarly, Radhe Shyam, Prabhas’ first film after Baahubali, was also a massive box office bomb. The romantic drama was made on a reported budget of over ₹300 crore, but it ended up earning only ₹104 crore net in India and $4 million overseas. This gave it an estimated net global collection of ₹120 crore, and a notional loss of ₹180 crore. Saaho, the other disappointment from Prabhas, managed to work in the Hindi belts, salvaging some of its pride. Made on a ₹350-crore budget, the film earned ₹310 crore net in India and $13 million overseas. Its global net haul of ₹345 crore was still less than its budget, though.
| Prabhas' box office report card | ||
|---|---|---|
| Film | Worldwide box office | Notional profit/loss |
| Baahubali Vol 1 | ₹650 crore | + ₹300 crore |
| Baahubali Vol 2 | ₹1788 crore | + ₹950 crore |
| Radhe Shyam | ₹150 crore | - ₹180 crore |
| Saaho | ₹451 crore | - ₹5 crore |
| Adipurush | ₹392 crore | - ₹240 crore |
| Salaar | ₹618 crore | + ₹200 crore |
| Kalki 2898 AD | ₹1042 crore | + ₹180 crore |
| The Raja Saab | ₹204 crore | - ₹170 crore |
The road ahead for Prabhas
The two shining beacons of light in Prabhas’ post-Baahubali career have been Salaar and Kalki 2898 AD, whose back-to-back success saved his career after Adipurush. Salaar, made on a ₹270-crore budget, earned a notional profit of ₹200 crore globally, on the back of a stellar ₹401 crore domestic haul. Kalki 2898 AD was the most expensive Indian film ever made with a ₹600-crore budget. Yet, it still managed to earn a notional profit of ₹180 crore, largely due to its splendid $35 million overseas run.
Prabhas has two films in the pipeline, and the star would hope those two titles emulate Salaar and Kalki, not The Raja Saab. Partnering with Sandeep Reddy Vanga for Spirit, he has given himself that chance, as the filmmaker’s track record is 100% so far. His other release, Fauzi, sees him being directed by Hanu Raghavapudi in another much-anticipated title. Spirit releases in January 2027, while Fauzi hits the screens in August this year.
ABOUT THE AUTHORAbhimanyu MathurAbhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More
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