Jatadhaara movie review Director: Venkat Kalyan and Abhishek Jaiswal Cast: Sudheer Babu, Sonakshi Sinha Rating: ★★
Don’t get startled at me mentioning Harry Potter and Jatadhara in one breath. Plot compels me. And before anyone raises their wand to curse me, allow me to explain myself.
In Jatadhara, ghost hunter Shiv confronts a chilling mystery involving black magic and his haunted past.
The story of Jatadhara, written and directed by Venkat Kalyan and Abhishek Jaiswal, follows Shiv (Sudheer Babu, who you might remember as the antagonist from Baaghi), a ghost hunter. He's haunted by dreams of a child being killed by a woman. One day, he stumbles upon a picture of the same people inside his own house. Who are they? Why does he, unknowingly, keep escaping death? And who exactly is Dhan Pishachini? That forms the core of the film.
What works in Jatadhara
First, the good bits. Jatadhara doesn’t rely on conventional jump scares, nor does it tread the same tired path as most horror dramas. The first half builds up the mystery rather well, barring what might be the most unnecessary item number of the year- Pallo Latke, already recycled once in the 2017 film Shaadi Mein Zaroor Aana. The one here is a classic example of crass choreography meeting equally crass styling.
The plot follows a clear structure that ties its many threads together quite well. The second half introduces a chilling black magic sequence that manages to unnerve. From mythology to religion and even the Padmanabha Swamy temple, the film leaves nothing out to make it effective.
Movie Review
Jathadhara
2/5
Horror, Thriller
In Jatadhara, a ghost hunter is plagued by visions of a child being murdered. When he finds the same figures in an old photo in his own home, it leads him into a mystery tied to the enigmatic Dhan Pishachini.
Director
Venkat Kalyan and Abhishek Jaiswal
Cast
Sonakshi Sinha, Sudheer Babu
Verdict
Jatadhara is an ambitious blend of myth and modern horror that works in flashes. It reaches for something fresh, but over-the-top theatrics and uneven emotional beats keep it from fully landing, leaving a film that’s part intriguing lore, part muddled chaos.
What didn't work
Now, for what doesn’t quite land. The exaggerated portrayal of Dhan Pishachini- with her chattering teeth, manic laughter, and bulging eyes- is brought to life earnestly by Sonakshi Sinha, but the execution borders on tacky. The love story between Shiva and Divya Khossla’s character also feels out of place, interrupting the film’s otherwise dark rhythm. Even the background score, impactful at first, gradually slips into being shrill. The big reveal takes ample inspiration from Harry Potter... you will know what I am referring to if you watch Jatadhara.
Performance-wise, Sudheer stays true to the brief and delivers with restraint. Sonakshi is attempting something new for the first time, and she tries hard. But the writing lets her down.
Overall, Jatadhara is an ambitious attempt to merge myth and modern horror, and it succeeds in parts. It tries to be different, even if it loses its footing in over-the-top theatrics and forced emotion. What could have been an unsettling supernatural thriller ends up being a mixed bag: half compelling myth, half confused mayhem.
Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold.
He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since.
At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics.
In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift.
When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.Read More