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Exclusive | Farhan Akhtar reacts to Boong becoming solo Indian nominee at the BAFTAs, here's what he says

Actor-filmmaker Farhan Akhtar expresses pride over Boong's BAFTA nomination, highlighting the film's emotional journey of a boy and his mother.

Published on: Jan 28, 2026, 16:23:45 IST
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Actor-filmmaker Farhan Akhtar's choices aren't limited to big, commercial projects such as the upcoming Mirzapur movie, or Don 3. Boong, a Manipuri coming-of-age drama film, co-produced by him, has secured a nomination in the Best Children and Family Film category at the 2026 BAFTAs, making him the only Indian filmmaker and Boong the only Indian film to be nominees.

Still from Boong, Farhan Akhtar
Still from Boong, Farhan Akhtar

Sharing his emotions with HT City, Farhan says, “The entire team is very thrilled by the nomination for Boong. We are honored that BAFTA has recognised the film’s message, and what value it holds for a family audience.”

Boong revolves around a young boy living with his single mother in a Manipuri village, both grappling with the unexplained disappearance of his father, Joykumar. Once working out of town, Joykumar has vanished without a trace- sparking unanswered questions: Is he dead? Or has he abandoned them? Determined to give his mother “the best gift ever”, Boong embarks on a heartfelt journey with his best friend to find his missing father.

  • Rishabh Suri
    ABOUT THE AUTHOR
    Rishabh Suri

    Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.Read More