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From real to reel: A film tells the story of the disaster

Survivors in Bhopal will get to see their story on celluloid on December 5 for the first time in 30 years, when the movie ‘A Prayer for Rain’ will release at a local Cineplex here.

Updated on: Nov 30, 2014, 18:24:27 IST
Hindustan Times | By , Bhopal
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Survivors in Bhopal will get to see their story on celluloid on December 5, when the movie ‘A Prayer for Rain’ will be released at a local Cineplex here.

Shooting-of-the-movie-Bhopal-A-Prayer-for-Rain-underway-A-grab-of-Facebook-page-of-the-movie
Shooting-of-the-movie-Bhopal-A-Prayer-for-Rain-underway-A-grab-of-Facebook-page-of-the-movie

The Facebook page of the movie ‘Bhopal: A Prayer for Rain’ has already garnered over one lakh likes. According to its makers, the movie was largely shot in Hyderabad which also has old world charm like Bhopal. However, some outdoor scenes involving the streets and cafes and the Union Carbide plant area were shot for real in Bhopal for authenticity.

“A miniature scale model of the Union Carbide plant and Bhopal was built in London by the world’s leader in the field — Mattes and Miniatures Visual Effects Ltd. The model was built from the designs of the original plant and maps of Bhopal to keep the story’s authenticity. This method is painstakingly slow and costly, but the result was aerial shots that were so amazingly lifelike that even industry experts believed they were real,” says Ravi Kumar, director on the FB page of the movie.

According to the director, the entire soundscape of 1980s small-town India had to be recreated in their London studio from carefully recorded old car horns, rickshaw sounds, market noises etc.

“Our team visited Bhopal to record local sounds, and local dialect chatter was spread throughout the film so it sounds authentic to the people of Bhopal.

Our sound designers at Pin Drop created a menacing hum for the plant that gave a spooky, ominous feel without being over the top. The fact that the film feels epic, especially in its climax, is due to the fact that the sound is huge, sometimes having hundreds of layers of sound effects in each frame,” said Ravi Kumar on the movie’s FB page.

Jointly produced by Sahara Movie Studios and Rising Star Entertainment, the movie takes you into the tragedy through the story of Dilip, a rickshaw driver in Bhopal, who lands himself a job at the Union Carbide plant.

Activist Rachna Dhingra from the NGO International Campaign for Justice in Bhopal (ICJB), who had earlier some reservations on the movie, told HT, “In September, we were invited to Mumbai for special screening of this movie. After we watched it, we were satisfied that it had done justice to the complex narrative of Bhopal gas tragedy. I recommend all survivors in Bhopal to see this movie based on their own story,” she said.

  • Neeraj Santoshi
    ABOUT THE AUTHOR
    Neeraj Santoshi

    Neeraj Santoshi is the Chief of Bureau for Hindustan Times in Uttarakhand, where he leads the state reporting team while covering government, politics, environment, wildlife, Uttarakhand High Court, and issues shaping the Himalayan region. With more than two decades in journalism across conflict zones, he has covered politically sensitive regions and environmentally fragile landscapes, and focused on stories that combine public interest with in-depth storytelling. An alumnus of Pune University with a Master’s in Communication Studies, he has reported extensively from Jammu & Kashmir (2003-2010), Madhya Pradesh (2010 to 2018 ) and Uttarakhand (Since 2018), covering subjects ranging from insurgency, elections and governance to wildlife conservation, mining, climate change, agriculture, human rights and social justice. He has covered politics and legislative assemblies of both Jammu & Kashmir and Madhya Pradesh over more than a decade. Before taking over as Chief of Bureau in Uttarakhand, he served as Special Correspondent with Hindustan Times in Madhya Pradesh and earlier reported for both Hindustan Times and The Indian Express in Jammu & Kashmir, where he covered state politics, environment and insurgency-related developments. Over the years, his stories have focused on environmental degradation, wildlife, illegal mining, governance and the changing social fabric of Himalayan states and Central India. He is particularly interested in long-form explanatory journalism, and stories that explore the intersection of ecology, conservation, governance and society. Outside the newsroom, Neeraj enjoys reading widely on neuroscience, consciousness studies, Artificial Intelligence and quantum physics, with a special interest in Kashmiri Tantric Shaivist traditions. He is also passionate about wildlife, mountaineering and the Himalayas, interests that continue to inform his reporting and deepen his understanding of the region he covers.Read More