India is the new publishing haven for writers from Pakistan, Sri Lanka. Here’s why
Be it Pakistan-based Sabyn Javeri’s debut Nobody Killed Her or Sri Lankan author Chhimi Tenduf-La’s latest book Loyal Stalkers, authors in India’s neighbourhood are increasingly choosing to publish with Indian publishing houses.Updated: Jun 21, 2017 12:05 IST
Indian publishing houses are fast becoming the preferred choice of writers from the neighbouring countries, with an increasing number of manuscripts from Pakistan and Sri Lanka doing well in India.
Yet, it is a tale of many contrasts. Many of the manuscripts were originally rejected in their home countries while they attracted curious attention from Indian publishers. Authors say Indian publishers are more open to experimentation with content, which makes getting published in India a lot easier.
“I found Indian editors much more understanding and supportive of the kind of narrative I wanted to write than those in the West. I think the fact that both Indians and Pakistanis live in nuanced societies struggling with modernity helps in debunking the exotic east or terrorist-Muslim kind of stereotypes that seem to form the expectations of Western publishers,” says Sabyn Javeri.
Javeri’s first book “Nobody Killed Her” was published in India by HarperCollins in March. It’s a thriller based on the assassination of a political leader in Pakistan. She says Indian publishers stick to their commitment and seldom flip flop on a decision regarding a manuscript. Her book, she explains, was first acquired by a major international publisher but was later dropped. She said she’s glad that “editors in India did not stop backing it” till it took its final shape – a full-fledged book. Javeri says in a booming industry, Indian publishers are at a juncture where they can afford to experiment with content, genre and writers, even as book sales were on the decline in the rest of the world.
Javeri is just one of the many authors from Pakistan whose manuscripts have found a home in India. Haroon Khalid, whose first book “A White Trail: A Journey Into the Heart of Pakistan’s Religious Minorities” (Westland) too first found acceptance in India, and he has published two more books in this country since.
“If I was publishing in Pakistan, there certainly would be some parts publishers would not publish. Publishers here (in Pakistan) can be a little more particular about what can be written and what not,” says Khalid.
“They (the publishing houses in Pakistan) are choosy and tend to avoid controversial stuff. There are certain topics that writers and publishers now know they can never talk about, given the events in the past few years,” Khalid says.
His second book “In Search of Shiva: A Study of Folk Religious Practices” (Rupa) was released in 2015 and his latest book “Walking with Nanak” has again been published by Westland.
The small number of publishers in Pakistan, Khalid notes, is also a strong reason behind Indian publishing houses attracting more and more Pakistani authors.
Javeri says publishing houses in Pakistan often ask authors to sign a legal undertaking that there is nothing defamatory or blasphemous or anti-national before being allowed to publish. “I think the whole idea of censoring is restrictive to art,” Javeri maintains.
But what is the real driving force behind this immense interest in authors from the subcontinent to Indian publishers? One possible reason is the similar culture and traditions make it easier for a Pakistani, Bangladeshi or Sri Lankan author to connect with his or her readers in India.
Sri Lanka-based author Chhimi Tenduf-La explains, “The reviews and feedback I have got from India suggest that there is not much difference between what an Indian and a Sri Lankan audience likes. The lives, culture, class divides and respect for elders are all similar. They have had no issue in connecting.”
Chhimi’s first book “The Amazing Racist” was published by Hachette India in 2015. His latest book “Loyal Stalkers”, published by Pan MacMillan, was released earlier this year. “I felt that an Indian audience may understand my stories, set in Sri Lanka, without me having to hold their hands,” Chhimi says. He says he didn’t submit or contact any publisher based in Sri Lanka as he “preferred to get rejected by publishers not from his country.”
There are other reasons for seeking publishing abroad. “We don’t offer advances to authors as we can’t afford them. Our books are mostly found in local bookshops as well as in countries like Australia, Singapore and the UK,” says Sam Perera, of a Sri-Lanka based publishing house ‘Perera-Hussein’.
The Indian book market is also much larger than any of those in the neighbouring countries. A shared history often helps to attract the interest of readers. “There is a similar cultural sensibility and a mutual understanding of the cultural subtext that runs through our two countries,” Javeri says.
That’s true for other countries in the region as well.
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