Sign in

First day first show: The message in ‘MSG’- faithful indulgence

The world now has only two kinds of people. Those who have seen ‘MSG: The Messenger’, and those who have not seen ‘MSG: The Messenger’.

Updated on: Feb 13, 2015, 22:32:47 IST
Hindustan Times | By
Share
Share via
  • facebook
  • twitter
  • linkedin
  • whatsapp
Copy link
  • copy link

The world now has only two kinds of people. Those who have seen ‘MSG: The Messenger’, and those who have not seen ‘MSG: The Messenger’.

A-still-from-MSG
A-still-from-MSG


Nothing — no sense of humour, irony, bad taste, or even a regular watching of Sunny Deol, Salman Khan and Arnold Schwarzenegger’s movies for a month — can prepare you for the sheer epicosity of what can blandly be termed the big-screen debut of Dera Sacha Sauda chief Gurmeet Ram Rahim Singh. It doesn’t matter that it doesn’t make sense as a movie. A movie it’s not anyway.

As to what is it, it is hard to tell between two definitions. Is it a massive advertisement for the dera’s welfare activities packaged as movie that has the dera head as a superhero? Or, is it a massive display of vanity by the dera head in the garb of an awareness campaign? The answer lies in the realm of faith. And faith, as someone once said, is a deeply personal indulgence.

For believers, it’s a romp through and through. For non-believers who went through the 197-minute string of sales pitches — co-directed, written and so clearly packaged by the dera head himself — it is not much fun at the start. For 15 minutes at the beginning, ‘Pitaji’ or ‘Papa G’ or ‘Papa Rock’ overplays his non-existent humility, explaining, among other things, how the political establishment’s repeated requests made him take security. So much so, that the pleading politician has a band going ecstatic when ‘guru-ji’ agrees.

His favourite dialogue takes it further: “Koi humein sant kehta hai, koi kehta hai farishta, koi kehta hai guru, koi kehta hai bhagwaan; par hum toh hain, sirf ek Insan!” The insistence is that it is the people who call him God, while he considers himself a mere Insan, a human being. Don’t be misled. Can mere human beings cure AIDS? Or invent a sport, called ‘Gul-stick’, a cross between cricket, baseball and gulli-danda? Wear those clothes? Or, well, fly? He can.

In a plot that never seriously threatens to emerge, the character of the baddie carries a message. He is a druglord -cum-media magnate, who owns a channel with an amazingly self-aware name, ‘Chillam News’, and a logo that further leaves nothing to imagination!

Throughout the movie, though, there is the threat of numbers — he claims to have 5 crore followers — directed especially at journalists. In one such scene, when his followers are ready to kill the people who show the baba in bad light, it is only the baba’s benevolence that stops them. The message is clear: His followers can kill. (No wonder I couldn’t laugh at the hilarity in a hall filled with Insans, besides a handful of other creatures who became victims of curiousity.)

There is an exception for a foreign journalist (from Ukraine!), a ‘gori’ who pleads for, and gets, permission to make a documentary on the Spiritual Superman. This documentary angle gives him a chance to display the dera’s philanthropy — cleanliness campaigns, blood donation camps, prostitute rescue-rehab, free food, et al — even though his patriotic superpowers require the help of some oddly shaped vehicles and Japanese-cartoon-style special effects.

Spoiler: Walking on water is one thing; the Love Charger baba riding a Harley Davidson on the surface of a pool on a concert stage with dolphins jumping around is quite another. Does that, too, create social awareness? Nope. But if you’re looking for that, you are missing the point.

  • Aarish Chhabra
    ABOUT THE AUTHOR
    Aarish Chhabra

    Aarish Chhabra is an Associate Editor with the Hindustan Times online team, writing news reports and explanatory articles, besides overseeing coverage for the website. His career spans nearly two decades across India's most respected newsrooms in print, digital, and broadcast. He has reported, written, and edited across formats — from breaking news and live election coverage, to analytical long-reads and cultural commentary — building a body of work that reflects both editorial rigour and a deep curiosity about the society he writes for. Aarish studied English literature, sociology and history, besides journalism, at Panjab University, Chandigarh, and started his career in that city, eventually moving to Delhi. He is also the author of ‘The Big Small Town: How Life Looks from Chandigarh’, a collection of critical essays originally serialised as a weekly column in the Hindustan Times, examining the culture and politics of a city that is far more than its famous architecture — and, in doing so, holding up a mirror to modern India. In stints at the BBC, The Indian Express, NDTV, and Jagran New Media, he worked across formats and languages; mainly English, also Hindi and Punjabi. He was part of the crack team for the BBC Explainer project replicated across the world by the broadcaster. At Jagran, he developed editorial guides and trained journalists on integrity and content quality. He has also worked at the intersection of journalism and education. At the Indian School of Business (ISB), Hyderabad, he developed a website that simplified academic research in management. At Bennett University's Times School of Media in Noida, he taught students the craft of digital journalism: from newsgathering and writing, to social media strategy and video storytelling. Having moved from a small town to a bigger town to a mega city for education and work, his intellectual passions lie at the intersection of society, politics, and popular culture — a perspective that informs both his writing and his view of the world. When not working, he is constantly reading long-form journalism or watching brainrot content, sometimes both at the same time.Read More