Analysing the Emergency box office debacle: Politics, perception of bias, or delay, what hurt the Kangana Ranaut film
Kangana Ranaut's Emergency has managed to earn just ₹12 crore in 5 days at the box office, cutting a rather sorry figure.
Emergency was to be Kangana Ranaut's magnum opus. This was the first time the actor-director had complete creative control over her film; the subject was a relevant one, and she had strong support cast. Yet, the end result remained less than the sum of its parts. And it's not the critics who are saying that, but the audiences as well. Made on a reported budget of ₹60 crore, Emergency is struggling to reach ₹15 crore even as the first week draws to a close.

As the film struggles to make a mark at the box office, the all-important question remains: why did Emergency bomb? The answer may not be straightforward. (Also read: Emergency box office collection day 5: Kangana Ranaut film struggles in first week, yet to cross ₹15 crore)
What is Emergency about?
Directed by Kangana herself, the film sees the multiple National Award-winning actor play former PM Indira Gandhiand chronicles the darkest chapters of her tenure, notably the 1975 Emergency. It also stars Anupam Kher, Shreyas Talpade, Mahima Chaudhry, Milind Soman, and the late Satish Kaushik.
The delay in release hurt Emergency?
Emergency was initially supposed to be released in October 2023. But close to the release window, it was postponed to June 2024. But after the Lok Sabha elections were announced, the makers again postponed the film to September. On August 30, just a week before the release, Kangana took to social media to claim that the film was being denied a certificate by the Central Board of Film Certification, possibly due to external pressures. The CBFC eventually cleared the film in October, and a new release date - the final one - was announced. An exhibitor says, "The delay meant that the film's buzz died down. People lose interest in something if it's talked about for so long, yet they don't see anything. Bigger films like RRR or Jawan can still sustain the momentum even after delays, but for smaller films, it's tough."
Political biopic is a difficult genre
Trade insiders say that the film had a handicap in its genre - the political biopic. Traditionally, films in this genre have not done well in Hindi cinema despite a proliferation of such films in recent years. Film trade analyst Atul Mohan says, “Nobody has been able to crack the political biopic genre in India. Films on PM Narendra Modi and Atal Bihari Vajpayee have not worked. Even Balasaheb Thackeray's biopic only did well in Maharashtra. The audiences have a certain image of statesmen that these films don't seem to align with. On top of that, the content can be often dry, which doesn't bode well for an audience that likes entertainment.”
Did Kangana's politics turn people away?
There is also a theory that many were turned away from the film due to a perception of inherent bias in its storytelling. While the film tries to portray the tenure of PM Indira Gandhi in an objective manner, many could not separate Kangana, the actor, from Kangana, the politician. "Kangana is a BJP MP, who has often spoken negatively about the Gandhi family. So, I didn't think a film directed by her on Indira Gandhi would be fair," says Kashish, a movie buff who did not go for Emergency despite being invested in the story. Atul Mohan adds, "That perception of bias may have harmed the film as people assumed it would be negative, and they did not turn up."
ABOUT THE AUTHORAbhimanyu MathurAbhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More
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