Months after floods, Dharamshala International Film Festival and PictureTime fight logistics and conditions to return
The 14th edition of Dharmshala Film Festival is returning, with award-winning films and its signature portable theatre, despite logistical challenges.
The Dharamshala International Film Festival is returning for its 2025 edition. But in the year since the last edition, a lot has changed in the region that hosts this prestigious celebration of cinema. Himachal Pradesh was ravaged by flash floods and landslides earlier this year, which affected parts of Dharmashala too. In the aftermath of that, the festival is not just returning but also bringing back one of its chief attractions – the portable movie theatre from PictureTime. The team tells us how they battled a wide variety of challenges to make that happen.

Both an emotional and logistical test
“Coming back to Dharamshala this year was both an emotional and logistical test,” says Sushil Chaudhary, Founder & CEO of Picturetime, “The region had endured a difficult season, and we were very conscious of that while planning the setup. The terrain here is always demanding, but after the monsoon devastation, the challenges were compounded — access routes had changed, local infrastructure was still recovering, and even weather unpredictability had to be factored.”
But the return was more than just academic or even a business decision. It was about making cinema possible anywhere. “Bringing it back to Dharamshala, against these odds, reaffirmed that vision,” says Chaudhary.
Cinema restores normalcy
Rains and flash floods in several districts of Himachal Pradesh in August and September triggered over 90 landslides, leaving over 300 dead, and changing the topography of many places in the region. Getting back to the venue through those roads meant lots of coordination with local authorities and volunteers. Due to safety concerns, some modifications were also made, but at no point was there a thought to scale things down.
PictureTime’s inflatable theatre, one of the highlights of the festival, is also returning, and that involves logistical challenges of its own. But as Chaudhary emphasises, “When a community goes through trauma or disruption, art — and cinema in particular — becomes a bridge back to normal life. It restores a sense of collective joy, belonging, and identity.”
About DIFF 2025
The 2025 edition of Dharmshala International Film Festival begins on Thursday, 30 October, with Neeraj Ghaywan’s Homebound serving as the opening film. Among other films to be screened are award-winning titles like Sabar Bonda and Songs of Forgotten Trees. The festival also includes masterclasses from Kiran Rao, Adil Hussain, and Andrey A. Tarkovsky, son of the legendary Russian director, Andrei Tarkovsky. The festival comes to a close on November 2.
ABOUT THE AUTHORAbhimanyu MathurAbhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More
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