Reema Kagti says people outrage over nepotism but only watch known stars' films: 'You must question yourself'| Interview
Filmmaker Reema Kagti talks to HT about backing Shape of Momo and the state of independent cinema in India.
Filmmaker Reema Kagti has not just made films that champion the little guy, but has lent her voice and backing to small, independent films as well. She recently executive produced Shape of Momo, a Nepali-language Sikkimese film, which released in theatres this week. Ahead of the film’s release, Reema sat down with Hindustan Times to discuss the representation of North East India in mainstream cinema, the ecosystem for small films in the country, and changes she wants to see.

Reema Kagti on backing of Shape of Momo
Reema hails from Assam, and she admits that one of the reasons she decided to back Shape of Momo is because it tells the story of the people of North East with a native lens. “Being from the North East, it’s refreshing to know there is good stuff coming out of there. It’s an area that is misrepresented and underrepresented, and you rarely get to see accents, faces, features, and cultural habits that are so familiar to me but are unfamiliar in popular culture. I was sold on the idea,” she says.
Reema, who has directed acclaimed films like Talaash and Superboys of Malegaon, argues that Indian filmmakers are making good cinema, but the audiences need to recognise that as well. “I hear a lot of people complaining, ‘Why aren’t we making these films?’ But then, when you ask them what the last film you supported was, it was 20 years ago,” she says.
‘We want your patronage, not support’
Reema adds that she has a problem with the word ‘support’, too. “When I made Superboys of Malegaon, a lot of people said, ‘Why aren’t people coming and supporting it?’ But I don’t need your support. I need your patronage. There is a big difference between the two. Throughout history, art has always survived through patronage. And that comes from people who love it, appreciate it, and see the beauty in it. This is a wake-up call for the audience, journalists, and anybody who is creating something original,” she says.
The filmmaker says that both filmmakers and the audience need to reflect on how to change things. “There is some soul-searching needed from both sides. For instance, there is so much outrage over nepotism. But at the same time, you will go and watch two known people’s films over two unknown people’s films. So you must question yourself, too,” she adds.
Shape of Momo, directed by Tribeny Rai and backed by Zoya Akhtar, Reema Kagti, and Payal Kapadia, is currently running in theatres across India.
ABOUT THE AUTHORAbhimanyu MathurAbhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More
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