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Netflix's most expensive film cost more than Avatar, The Avengers; was rejected by studios, ended up a $320 million flop

Netflix's most expensive film has over a dozen stars and cost $320 million to make. Yet, it has had a disastrous time since its release.

Updated on: Mar 21, 2025, 19:19:46 IST
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When streaming platforms first emerged, they were seen as a more budget-friendly alternative to the big-ticket experience. As a result, the films that were released directly on OTT were smaller in scale, if not star power. That has changed over the last few years, with big filmmakers bringing superstars to the small screens in films that have astronomical budgets. But it does not always go as planned, as happened with Netflix's most expensive film. (Also read: World's highest-grossing film series made $31 billion, more than Star Wars, Harry Potter, and James Bond combined)

The Electric State has a budget of $320 million.
The Electric State has a budget of $320 million.

Netflix's most expensive film ever

The Russo Brothers, of Avengers: Endgame and Citadel fame, are known for no half-measures. All their shows and films have been large-scale and mega-budget. They were the first to mount a $200-million film on Netflix with The Gray Man, and in 2025, they outdid themselves with The Electric State. The film, with a reported budget of $320 million (according to Deadline), is the most expensive Netflix original film ever. Starring Chris Pratt and Millie Bobby Brown, the dystopian actioner was marketed as the streamer's tentpole for this quarter.

How expensive is The Electric State, you ask? It is the 13th most expensive film ever made, behind only colossal projects like Star Wars: The Force Awakens ($47 million), Fast X ($379 million), and Avengers: Endgame ($356 million) to name a few. But The Electric State's production budget is still more than some of the biggest blockbusters ever made, including Justice League ($300 million), Gladiator II ($250 million), Avatar ($237 million), and The Avengers ($220 million).

The debacle that was The Electric State

Problems arose for The Electric State right from the pre-production phase. In 2020, two years after the Russos acquired the rights for Simon Stålenhag's 2018 illustrated novel of the same name, Universal Pictures won the distribution rights. However, two years later, Universal exited from the film, and Netflix stepped in.

The film's release saw a wave of negative reviews and word of mouth as the film failed to not just garner viewers but hold their attention as well. The film has a 14% critics score on Rotten Tomatoes. In its review, The Vulture called the film a "$320 million piece of junk", while ScreenRant called it "a little harmful to that cultural concept we call 'The Movies'." Business Insider summed up the film's fate as they labelled it a 'dumb, unfunny $320 million flop'.

The Electric State also stars Ke Huy Quan, Stanley Tucci, Woody Norman, and Giancarlo Esposito, along with the voices of Anthony Mackie, Woody Harrelson, Brian Cox, and Hank Azaria among others. The film is currently streaming on Netflix.

  • Abhimanyu Mathur
    ABOUT THE AUTHOR
    Abhimanyu Mathur

    Abhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More

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