‘Mr Dior? He was like family,’ 1950s model recalls
By Marie-Louise Gumuchian and Hanna Rantala
When Odile Kern stepped into a Parisian lift sometime in 1953, she found herself standing next to luxury couturier Christian Dior - and in an instant her life changed.
Now 88, Kern was already on the fashion designer’s payroll in the building on Avenue Montaigne. Dior asked her who she was.
“I said ‘Monsieur, my name is Odile and I work for you... in the boutique’. And he told me ‘No, now you work for me (as a model)’.”
Kern had made her mark in the House of Dior. Founded in 1946 and at the core of a post-war revolution in womenswear, the brand remains one of the most prestigious in the world.
The designer’s first collection in 1947 featured the Bar suit - a hip-length jacket synched at the waist worn with long skirt - that was dubbed the “New Look”.
Speaking at a new London exhibition dedicated to House of Dior, Kern recalled how private clients visited the Paris atelier to view and order bespoke creations.
“We worked for the House of Dior, no one else, we worked two hours a day to present the collection every day,” Kern told Reuters.
“For me it happened by accident but I think a lot of young women would have liked to work for Maison Dior... We weren’t paid very much but it was fun.”
Dior died in 1957 aged 52. He was succeeded by a 21-year-old Yves Saint Laurent.
“Monsieur Dior was not a normal boss, he was like family,” Kern said. “We loved him, admired him and respected him.”
Svetlana Lloyd joined in 1956 when she walked into the store on a trip from London. She was promptly sent upstairs and began modelling the next day.
“There were 15 models, regular ones, we showed every day, something that doesn’t exist (now) of course... He liked to have people of different shapes and heights and styles because that was his clientele,” she said.
“...Nowadays there are very few... private orders for garments.”
A picture of Lloyd modelling a grey Dior dress in 1958 features in the exhibition, “Christian Dior: Designer of Dreams”, which runs at the Victoria & Albert Museum until July.
“There were many things that he was the first to do, for instance lining a mackintosh in fur,” she said. “It was just unusual little touches that made his couture more interesting.”
(Reporting By Marie-Louise Gumuchian and Hanna Rantala; writing yb Marie-Louise Gumuchian; editing by John Stonestreet)