Diwali special| Shriya Pilgaonkar shares her favourite ritual with mom Supriya Pilgaonkar
Actor Shriya Pilgaonkar reflects on the festive season pre and post Diwali, emphasising its significance as a transition to the holidays.
Come Diwali, and there’s a family tradition that Shriya Pilgaonkar just has to make time for: making the rangoli with her mom, actor Supriya Pilgaonkar. “I have spent the last two-three weeks filming, and just got back to Mumbai. I am in the festive mode now. As Maharashtrians, we have certain Diwali specific things to our culture. My mother and I have a yearly tradition of doing the rangoli together, she is amazing at it! We make one for each day of the Diwali week. My neighbours also come over, and we make paper candles together,” beams the 36-year-old, who will be seen next in Haiwaan alongside Akshay Kumar and Saif Ali Khan.

Shriya adds that the festive mood doesn’t finish with Diwali. “It feels like the beginning of the end of the year, on a very positive note. After Diwali, the year is tapering towards the holiday season,” she says.
Recalling one of the most special Diwali celebrations, Shriya shares, “One of my most special Diwalis was when I was filming a British series, Beecham House directed by Gurinder Chatha and we shot in London. Then when we shot a schedule in Jaipur, it was Diwali so we celebrated with the British cast and crew combined with the Indian crew, on set.”
ABOUT THE AUTHORRishabh SuriRishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.Read More

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