Sign in

Paris Fashion Week Day 5: Loewe's high-waisted silhouette and Issey Miyake's origami poetry steal the spotlight

Published on: Sep 30, 2023, 15:55:51 IST
AP | Posted by , Paris
Share
Share via
  • facebook
  • twitter
  • linkedin
  • whatsapp
Copy link
  • copy link
A model presents a creation for the Japanese Fashion House Issey Miyake during a show as part of the Paris Fashion Week Womenswear Spring/Summer 2024 in Paris. (Photo by Miguel MEDINA / AFP)
A model presents a creation for the Japanese Fashion House Issey Miyake during a show as part of the Paris Fashion Week Womenswear Spring/Summer 2024 in Paris. (Photo by Miguel MEDINA / AFP)

Paris Fashion Week highlights: Miyake's innovative garments blend tradition and forward-thinking design. Loewe's collection plays with proportion and quirks.

Flashes of intrigue greeted guests at Loewe’s meticulously designed space for Paris Fashion Week. Bright, other-worldly lighting brightened a dove-gray runway where gold modernist sculptures by American artist Lynda Benglis were scattered as if dropped by a fashion divinity, hinting at the merging of fashion and art. The set mostly was a blank canvas upon which Jonathan Anderson put his latest designs, a collection that played with proportion and quirks.

Here are some Friday highlights from the Spring-Summer 2024 collections in Paris:

LOEWE LIFTS LIMITS ON WAISTLINES

The centerpiece of Anderson's collection was a bold and surreal high-waisted silhouette, with pants in hues of camel, grey, brown, and black occasionally touched by vivid splashes of red, bougainvillea, and tangerine. The choice of a style especially prominent in menswear wasn’t just a nostalgic nod. By pushing the waistlines to extreme heights, Anderson threw away conventional proportions with his typical daring and breathed fresh life into the classics. (Also read: Paris Fashion Week 2023: Model dressed as giant furball gets lost on runway, crashes into crowd at Christian Cowan show )

The models sometimes appeared as if the garments were consuming them. Hands disappeared into pockets below the high waists fully enveloping their torsos. Elsewhere, there were instances of pure sartorial poetry, such as a flowing brown gown that was part theater curtain, part ancient Greek goddess. Loewe remains steadfast in pushing boundaries and redefining norms.

The collection also ventured into playful territory with unexpected details. Dresses seamlessly morphed into oversize handbags. Sparkly shoes added a touch of whimsy. Leather pieces, including sleek coats and chewed hems, showcased the Spanish heritage brand’s craftsmanship. The presentation, despite its allure and thoughtful design, seemed to be a slight departure from the house's typical high energy. To longtime Loewe aficionados, the collection felt more subdued.

ORIGAMI MEETS POETRY AT ISSEY MIYAKE

The Issey Miyake show opened with a flourish. Dancers performed bold, contemporary movements around the venue as they interacted with hanging origami sculptures to the sound of avant-garde orchestra music. The suspended paper sculptures harking from elements in nature hinted at the design inspiration for the collection.

The garments fulfilled Miyake’s reputation for innovation. The standout square, origami-styled coats showcased a distinctive touch, a blend of tradition and forward-thinking design. As models strutted down the runway, what started as abstract pieces eventually transformed into more structured and formal attire.

A poetic sense of nature’s fleeting phenomena was present throughout. Designs featured blurred gradient prints reminiscent of overexposed camera film, while fabric twists suggested breezy motions and organic forms. Textural variety was prominent, with garments ranging from soft, stretch-infused woven pieces to those boasting a lighter, airier feel, thanks to special weaving techniques.

Overall, the show was not just a presentation of clothes but a holistic experience in which movement, music, and fashion converged to make a statement. It was a reminder that at its best, fashion is not just wearable but an art form.

  • Akanksha Agnihotri
    ABOUT THE AUTHOR
    Akanksha Agnihotri

    Akanksha Agnihotri is a lifestyle journalist with over 3 years of experience. She is a psychology graduate and holds a postgraduate diploma in Radio and Television Journalism from the Indian Institute of Mass Communication, Delhi, where she graduated as a gold medalist. Originally from Bhopal, the beautiful capital of Madhya Pradesh, she draws inspiration from the city’s rich cultural heritage and layered storytelling traditions that subtly shape her narrative voice. She writes extensively about fashion, beauty, health, relationships, culture, and food, exploring everything from trending styles and runway moments to wellness routines and mindful living. Passionate about meaningful and candid conversations, she enjoys interviewing celebrities, doctors, designers, and film personalities, diving into discussions on fitness, beauty, mental health, and everything fun in between. With a keen eye for trends and a thoughtful understanding of human behaviour, she brings depth, sensitivity, and authenticity to her stories, ensuring they resonate with a wide and diverse audience. When she’s not working, you’ll usually find her lost in a book, planning her next mountain trek, or mapping out spontaneous travel escapes. She loves discovering new authors, revisiting old favourites, and spending quiet afternoons in museums soaking in art, history, and culture. An avid bird-watching enthusiast, she finds joy in early morning walks, spotting rare birds, and reconnecting with nature. Whether sipping coffee while journaling her thoughts or exploring hidden corners of a new city, she constantly seeks inspiration in everyday moments that often turn into compelling story ideas.Read More

This story has been published from a wire agency feed without modifications to the text. Only the headline has been changed.