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Wendy Doniger revisits Kamasutra, Arthashastra in new book

Wendy Doniger’s new book is titled, Beyond Dharma: Dissent in the Ancient Indian Sciences of Sex and Politics, published in India by Speaking Tiger.

books Updated: Oct 28, 2018 15:39 IST
Press Trust of India
Press Trust of India
Press Trust of India
Arthashastra,Kamasutra,Wendy Doniger
According to Wendy Doniger, the Arthashastra and Kamasutra were part of a vibrant, rich oral and written tradition from the time of their composition to the present; they continued to be known and discussed because they remained relevant to the great intellectual legacy of India.

American Indologist Wendy Doniger revisits the Arthashastra and Kamasutra to find connections to key moments of resistance and voices of dissent throughout Indian history and offer insights into the Indian theocracy’s subversion of science by an exclusivist version of religion today.

There is an honesty and realism in these two texts that endeared them to later generations, she says.

“Though heavily embroidered with fantastic details, their basic subject matter is the stuff of real life. Their ideas survived in popular tradition - the ‘Arthashastra’ in the animal fables of the ‘Panchatantra’ and the tales of the lion king and his wily jackal counsellor, the ‘Kamasutra’ in miniature paintings and the carvings on the temples of Khajuraho and Konark,” she says.

According to her, the Arthashastra and Kamasutra were part of a vibrant, rich oral and written tradition from the time of their composition to the present; they continued to be known and discussed because they remained relevant to the great intellectual legacy of India.

Doniger makes these arguments in her book, Beyond Dharma: Dissent in the Ancient Indian Sciences of Sex and Politics, published in India by Speaking Tiger.

She says that the Arthashastra strongly influenced the worldview of the Kamasutra.

“The ‘Kamasutra’ regards artha as a primary aim, especially as far as courtesans are concerned. Much of the ‘Kamasutra’ is devoted to Kautiliyan trickery and deception of one sort or another,” she writes.

She also argues that the Kamasutra models both its format and its rhetoric closely on that of the Arthashastra.

In addition to these overarching stylistic forms that the Kamasutra has inherited from the Arthashastra, there are numerous specific points of agreement, incidental passages in which the Arthashastra has clearly provided the paradigm for the Kamasutra, she says.

Another close agreement Doniger finds between the Arthashastra and Kamasutra is their attitude to what ancient India regarded as marginalised people.

Doniger, Mircea Eliade Distinguished Service Professor of the History of Religions at the University of Chicago, is the author of several books like The Hindus: An Alternative History; Hindu Myths; On Hinduism; Siva, the Erotic Ascetic; Dreams, Illusion and Other realities; and has translated the Rig Veda and the Kamasutra (with Sudhir Kakar).

She also writes that the situation for the Kamasutra changed when the British colonised India in the 18th century. As not only Protestants but Victorian Protestants, the British rejected as filthy paganism the sensuous strain of Hinduism, both the world of kama and much of Hindu theological dharma, with what they saw as kitschy images of gods with far too many arms.

“But they respected Hindu ethical dharma, including Indian monism and idealism (so appealing to European philosophers from Schlegel to Hegel) and the Bhagavad Gita (so appealing to the American Transcendentalists).” According to her, many of the English-speaking Hindus who worked for and with the British came to accept the British evaluation of Hinduism, in a kind of Stockholm Syndrome.

“They developed new forms of what came to be called Reform Hinduism, the Hindu Renaissance or the Bengal Renaissance, which valued the philosophical, ascetic aspect of Hinduism and devalued the world of pleasure represented in the kama-shastra.”

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First Published: Oct 28, 2018 15:38 IST