When a ‘heroine’ was India's highest-paid actor, out-earned Shah Rukh, Salman Khan, Rajinikanth; but quit films at 33
Just three decades ago, a female star rose to be the highest-paid actor in India, charging more than the Khans and Amitabh Bachchan.
Deepika Padukone's exit from Sandeep Reddy Vanga's Spirit started a conversation about gender pay parity in Indian cinema, among other things. Reports claimed that the actor left after the production refused to pay her ₹20 crore for the film, as she had asked. The male lead, Prabhas, is charging over ₹100 crore. There are conflicting opinions on the gender pay gap in cinema, with some calling it a fair reflection of market value while others labelling it sexist. Yet, there have been times in Bollywood when female stars did rule the roost.

When a ‘heroine’ was India's highest-paid actor
In the 90s, Sridevi, often considered one of India's first pan-India stars, became the first female actor to charge ₹1 crore per film. The actor reportedly charged the amount for the 1993 release Roop Ki Rani Choron Ka Raja, one of the most expensive Indian films made at that time. At the time, only Chiranjeevi was charging more for a single film. But Sridevi soon increased her fees, and by the mid-90s, when Kamal Haasan and Amitabh Bachchan joined the 1-crore club, Sridevi was charging more than even them.
The three Khans - Shah Rukh, Salman, and Aamir - were the top stars of the industry, alongside Sunny Deol and Sanjay Dutt from 1992-97. Yet, they charged somewhere between ₹50-75 lakh back then. It wasn't until the late 90s, by which time Sridevi had quit films, that the Khans breached the ₹1 crore mark.
How Sridevi became India's highest-paid actor
Sridevi's combination of versatility and star power was unlike anything seen before for female stars in Indian cinema. She was the top star in not just Hindi cinema but Tamil and Telugu films as well. Alongside Madhuri Dixit and Jaya Prada, she was one of the few female stars who could headline films, as she did in Chandni, Gumraah, Army, and Laadla. This allowed her to consistently get roles that were meatier than many of her juniors and contemporaries, and charge more than her male co-stars.
Sridevi's retirement from films at 33
Sridevi was at the peak of her stardom in the mid-90s, headlined hits in various languages. So, it did come as a shock when she announced she would quit films in 1996. The reason was that the actor was pregnant with her first child. Her 1997 release, Judaai, was her last film for almost 15 years. She was just 33 at the time. Sridevi devoted the next few years to raising her two daughters, Janhvi and Khushi.
The actor made a brief comeback on television with the show Malini Iyer in 2004-05, but her full-fledged big-screen comeback took place in 2012 with English Vinglish. She then acted in Puli (2015) and Mom (2017) before her untimely death in 2018 at the age of 54.
ABOUT THE AUTHORAbhimanyu MathurAbhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More
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