How a 13-year-old rejected $2 million from Disney, then made several times more: Story of Hollywood's boldest contract
A 13-year-old singer-actor not only refused to accept $2 million from Disney for an iconic film, but ended up making several times more.
In the early 90s, a million-dollar payday was a big deal for any actor. The biggest stars at the time were charging $6-8 million per film. This means that for everyone apart from the Bruce Willises and Arnold Schwarzeneggers of the world, a $2-million fee for a single film was a big deal in 1993. Yet, when Disney offered this sum to a 13-year-old with little acting experience, he rejected it. And yet, ended up making much more over the next few years. This is the story of Hollywood's boldest contract negotiation.

The 13-year-old who rejected Disney's $2-million offer
Jason Weaver began his acting career in 1990 with an appearance on Oprah Winfrey's 1990 television series Brewster Place at the age of 11. He then played a young Michael Jackson in the 1992 miniseries The Jacksons: An American Dream, before finding his big break as the star of the sitcom Thea. In 1992, he released his first single - I Wanna Be Where You Are - showcasing his musical talent. The same year, he was approached by Disney to be the singing voice of Simba in their ambitious animated feature, The Lion King.
In an interview with Vlad TV in 2019, Weaver recalled, "I remember it was like $2 million. Just to sing. That amount of money to an average middle-class family in Chicago in the early 90s - I mean, that's something." However, the youngster's mother, Marilyn 'Kitty' Haywood, was having none of it. She rejected the offer that would have made most mainstream performers scrambling for the dotted line.
How Kitty Haywood negotiated Hollywood's boldest contract
Haywood was worried that a one-off payment would mean that even though Disney would continue making money off Jason's songs, her son would never see another dime from the studio. "You gotta remember, they're coming off of Beauty and the Beast. They're coming off of Aladdin. Disney had bread. That was the thing that struck my mom," the singer recalled in the interview. In the end, she negotiated a deal of $100,000 down payment with royalties for the rest of his life. While Weaver has never disclosed how much he has earned from the deal, given that the Lion King soundtrack sold 7 million copies, it has to be a lot. It remains the bestselling movie soundtrack in the US even 30 years later. Among the songs that he lent his voice to was the chartbuster Hakuna Matata, which alone has made him millions.
The film itself made almost a billion dollars at the box office. Industry insiders say that in the three decades since, Weaver has easily made 'several times more' than the $2 million he was being paid, and he has his mother to thank for it.
ABOUT THE AUTHORAbhimanyu MathurAbhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More

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