How China box office losing $1.64 billion in revenue due to historic industry downturn can dash Bollywood's 2025 hopes
China 2024 box office revenue plunged by $1.64 billion in 2024 as industry downturn deepened drastically.
2024 may have been a year of revival for most language film industries in India, but across the border in China, the box office returns did not paint that pretty a picture. Reuters reported that as per official data, China's 2024 box office revenue slumped by almost a quarter from the previous year, dealing a blow to a limping domestic industry yet to fully recover from the pandemic. (Also read: Maharaja China box office: Vijay Sethupathi, Anurag Kashyap film clocks ₹19.30 crore in just 2 days)

Chinese box office's billion-dollar loss in 2024
Per the State Administration of Radio, Film and Television figures, box office revenue in China totalled 42.502 billion yuan ($5.82 billion) in 2024. That's down 22.6% from 54.915 billion yuan in 2023, meaning a loss of over 12 billion yuan or $1.64 billion.
Hopes for a post-pandemic uptick in box office revenue for the second year were dashed despite successes including YOLO, a comedy on how a reclusive woman reconnected with society through boxing, and Successor, another comedy, on how a couple hid their wealth from their son to promote character building. YOLO was one of the top 10 highest-grossing films in the world in 2024, but it was an aberration for an industry that saw more misses than hits throughout the year.
What caused the slump
The slump was caused by a mix of factors - a decline in the number of feature films, competition from online offerings, including micro dramas, and a slowdown in the world's second-largest economy.
On Christmas Eve, box office revenues plummeted to the lowest in at least 13 years. For the whole of 2024, the number of moviegoers in urban theatres totalled 1.01 billion, down from 1.299 billion a year earlier. A total of 612 feature films were produced last year, down from 792 in 2023.
What it may mean for Indian films
Over the last decade, China has come to be an important market for Indian films. Given its size and scale, many Indian films have increased their collections manifold courtesy of good runs in the country. Andhadhun, Secret Superstar, and Hindi Medium are prime examples. But while Indian films had been routinely earning in excess of $30 million in China once upon a time, the number has fallen now. Maharaja, the last Indian film to release in the country, grossed $10.80 million there. Many attributed this relatively low collection to the slump. This is a far cry from Andhadhun's $46 million or Hindi Medium's $32 million hauls.
This may mean that a blockbuster run in China - the kind that Dangal ($197 million), Secret Superstar ($118 million) or PK ($117 million) had - may be a bridge too far to cross for Indian films. Many family-audience-oriented Bollywood films are releasing in 2025, and trade insiders say that most of them had hoped for a China release to boost their box office. But the returns may not be quite what they would expect now. That is until the Chinese box office bounces back.
(With Reuters inputs)
ABOUT THE AUTHORAbhimanyu MathurAbhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More
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