No sleeveless blouse, no swimsuit: How B Saroja Devi followed mom's no-glam dress code for life; yet was a fashion icon
B Saroja Devi was a style icon in the 60s even though her family barred her from wearing anything glamorous on screen.
Legendary actor B Saroja Devi died on Monday morning in Bengaluru due to an age-related illness. The 87-year-old is regarded as one of the most successful female stars in the history of Indian cinema, someone who transcended language barriers. She was a pan-India star before the term was even coined by 21st-century marketers. But to women in the south, she was also a style icon. Everything from her hair to sarees set the trend in the 60s and 70s. But Saroja Devi had entered the industry, not trying to be a fashion icon. In fact, the rules set by her mother almost ensured she would stay 'de-glam' almost her entire life.

Saroja Devi's entry into cinema
A young Saroja trained as a dancer and singer in her pre-teens, before she was spotted by director B.R Krishnamurthy when she was singing at a function, all of 13. Saroja's family declined the acting offer initially, before her father relented. The teenager was allowed to act in films, but her mother had strict rules for what she could wear on screen and in public: 'No swimsuits — not even sleeveless blouses' was the simple dress code. Saroja's debut film won the National Award (Mahakavi Kalidasa, 1955). And she never looked back. The success of Nadodi Mannan opposite MG Ramachandran made her one of the most popular stars in Tamil Nadu. A Bollywood debut opposite Dilip Kumar in the 1959 release Paigham followed. By the time the 60s rolled in, Saroja was one of the top stars in Kannada, Telugu, and Tamil films, and a known face in Hindi as well.
B Saroja Devi, the style icon
Saroja Devi's superstardom began in the mid-1960s with two blockbusters. MG Ramachandran's Tamil hits Enga Veettu Pillai (1965) and Anbe Vaa (1966) made her a household name. But more importantly, women began to copy her sarees and hairstyles from the film. Rediff noted years later that after Saroja Devi's stills were published in film magazines, the sarees and jewellery she wore became the fashion.
The screen queen
From 1955-84, Saroja Devi played the lead in 161 consecutive films, a record for Indian cinema. These included 26 back-to-back hits opposite MGR, 22 films with Sivaji Ganesan, 17 with Gemini Ganesan, and over a dozen each with NT Rama Rao and Dr Rajkumar. In Hindi cinema, she appeared in only a few films, but still managed to work with the top heroes of the time, including Dilip Kumar, Shammi Kapoor, Sunil Dutt, and Rajendra Kumar. She was infamously replaced by Vyjanthimala from Raj Kapoor's Nazrana after a conflict with the director CV Sridhar.
After her husband's sudden death in 1986, Saroja Devi stepped away from public life for over five years. She returned in 1993 but in supporting roles in films like Parambariyam, Anuraga Sangama, and Aadhavan. Her most recent work was Natasaarvabhowma, which was released in 2019.
ABOUT THE AUTHORAbhimanyu MathurAbhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More
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