Gujarat HC allows Netflix to release ‘Maharaj’, says it doesn't hurt sentiments
Justice Sangeeta K Vishen said the primary grievance by the petitioners was that the film runs down, defames, and insults a community has no force
AHMEDABAD: The Gujarat high court on Friday lifted its temporary stay on the release of the film, ‘Maharaj’ by streaming giant Netflix, holding that the film Maharaj was based on events that to the 1862 Maharaj Libel Case and was not targeted on hurting the sentiments of any community.

Justice Sangeeta K Vishen, who had barred the release of the movie on June 13, decided to let Netflix stream the movie on Friday after watching the film.
“This court arrives at the prima facie conclusion that the film, Maharaj, is based on events that led to the filing of the libel case and is not targeted at hurting the sentiments of the Pushtimargi community. The film had been certified by the Central Board for Film Certification, an expert body after considering the relevant guidelines… The interim relief granted on June 13 has been vacated,” the court said.
The film, originally slated for release on 14 June, was put on hold after the high court barred Netflix from streaming the movie after a group of businessmen petitioned the court on the ground that it had the potential to offend the religious sensibilities of a Vaishnavite community.
The film Maharaj is based on a 2013 book by Gujarati writer Saurabh Shah on the landmark libel case of 1862 filed by a leading Vaishnavite figure, Jadunathji, against social reformer Karsandas Mulji who had written against sexual exploitation by the all-powerful Maharaj.
Also Read: Karsandas Mulji's battle against religious orthodoxy echoes through time
Mulji’s expose of the exploitative practice in his magazine The Satyaprakash led to a libel case which became the celebrated Maharaj Libel Case.
Justice Vishen said the primary grievance by the petitioners that the film runs down, defames, and insults the Vaishnavite community, has no force. “Thus his court is constrained to come to the conclusion that the apprehension of petitioners is based on surmises. Since the film is yet to be released for public viewing, thus on mere presumption, the freedom of expression guaranteed under Article 19 (1)(a) of the Constitution cannot be curtailed,” the court said.
“The core message of the film. as rightly contended by the respondent, is that the film focuses on the social evil and fight for social reform by Karsandas Mulji who himself was from Vaishnavite community,” she said, dictating the order in open court.
“The film in no manner affects or hurts religious feelings. The film concludes that the sect is far more important than any individual or incident. Treating this incident as an exception the Vaishnav sect and its followers continued to grow and remained a proud and integral part of the social, cultural and religious fabric of India. An apprehension is raised that it is likely to cause communal disharmony. However, the book was published in 2013 based on the same libel case and no incident has been reported. Even the petitioners have not made any submission that the book has caused any communal disharmony,” she said.
ABOUT THE AUTHORMaulik PathakHe is an Ahmedabad-based journalist with more than two decades of experience. His career spans business journalism and general news, with reporting across politics, crime, governance, public policy, business, industry, infrastructure, energy, ports, aviation, the environment, wildlife and social issues. He began his career in feature writing before moving into business journalism, reporting on companies and sectors including energy, infrastructure, pharmaceuticals, automobiles and real estate. Over the years, his work expanded to politics, courts, crime, public policy, civic affairs, the environment and wildlife. His reporting has taken him from government offices and courtrooms to factory floors, ports, forests and remote villages, covering stories that range from industrial investments and financial markets to elections, conservation and issues affecting everyday life. While many assignments demand the pace of the daily news cycle, others require sustained reporting over months and years to follow developments beyond the headlines. He started his journalism career with the Asian Age in Ahmedabad in 2002 as a feature writer and sub-editor. Since 2022, he has been working with Hindustan Times. Earlier, he worked with Business Standard, DNA, The Economic Times, Mint and The Times of India. His longest stint was with Mint, where he spent more than eight years reporting across multiple beats. During his career, he has worked in both reporting and editing roles, contributing to page planning, local editions and special editorial projects as newsrooms evolved from print-first operations to digital publishing. Early in his career, he also worked on media and documentary projects with an NGO and as a copywriter at a communications agency before returning to journalism. Away from work, he sometimes makes time for a pair of binoculars, table tennis, cinema and the occasional poem.Read More

E-Paper


