Chhaava box office collection day 1: Vicky Kaushal film sees biggest Valentine's Day opening ever, mints ₹31 crore
Chhaava box office collection day 1: The period drama also stars Rashmika Mandanna, Akshaye Khanna, and Divya Dutta.
Chhaava box office collection day 1: Vicky Kaushal's period epic has started on a very promising note at the box office. Despite mixed reviews, the Laxman Utekar film has registered the biggest opening of 2025 and also broken Gully Boy's record of the highest collection on Valentine's Day by an Indian film. Also read: Emotional Katrina Kaif reviews Chhaava, calls Vicky Kaushal a 'chameleon' for his transformation: 'I'm in awe'

Box office report
Trade tracker Sacnilk reported the film performed well on its first day at the box office. Chhaava earned around ₹31 crore (nett) on its first day for all languages. The film had an overall 35.17 per cent occupancy in Hindi on the opening day. This is the best opening of Vicky's career as well as the best for all Indian films in 2025.
With the total, Chhaava has become Vicky Kaushal's biggest opener ever, easily beating the ₹8.20 crore mark of Uri: The Surgical Strike. Chhaava has also become the biggest opening film of 2025 by surpassing Akshay Kumar's Sky Force, which collected ₹15.30 crore on its opening day last month.
Chhaava was also able to beat Gully Boy's 2019 mark of ₹19.40 crore to register the highest collection by an Indian film on Valentine's Day.
About the film
Directed by Laxman Utekar and produced by Dinesh Vijan under Maddock Films, Chhaava is a historical action film based on the life of Maratha king Sambhaji, played by Vicky Kaushal. The film also stars Rashmika Mandanna as Maharani Yesubai, Akshaye Khanna as Aurangzeb, Ashutosh Rana as Sarsenapati Hambirao Mohite, and Divya Dutta as Soyarabai. It is an adaptation of the Marathi novel Chhava by Shivaji Sawant. The film’s score and soundtrack album are composed by A. R. Rahman, with lyrics penned by Irshad Kamil.
According to the Hindustan Times review, Chhaava “could have been a powerful tribute to the bravery and sacrifice of Sambhaji. What stands between it and that goal, is bad editing and the excessive superherofication of the Maratha ruler. It's only in the moments where we see him humanised, where the film connects”.
ABOUT THE AUTHORSugandha RawalSugandha Rawal has been writing about entertainment and lifestyle for over 13 years, and if there's one thing that's kept her going, it's a genuine love for storytelling. She completed her graduation in Journalism from the University of Delhi and went on to earn her Master of Media from IP University. Beginning her career in the fast-paced environment of news wire reporting, she learned the art of accuracy, speed, and storytelling under pressure. She later expanded her horizons in print journalism, where she honed her feature-writing skills and developed a keen eye for detail and narrative depth. These days, she's firmly rooted in digital journalism, adapting and evolving with a media landscape that never sits still. Over the years, Sugandha has covered everything from Bollywood and celebrity culture to wellness trends and lifestyle shifts. She enjoys spotting the drama behind headlines, the emotion behind interviews, and the details that others might miss. When she is not chasing the latest entertainment update or lifestyle trend, you will find her observing the cultural shifts that shape the stories we consume every day.Read More
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