Mohit Suri on wrapping up 2025 with Saiyaara: When I started, few people could believe a romance could get such numbers
Filmmaker Mohit Suri talks to us about how 2025 was a year for filmmakers, where multiple genres worked- from animation, devotional to action and romance.
Mohit Suri’s Saiyaara emerged as the highest grossing romance film in the history of Indian cinema, and catapulted newcomers Ahaan Panday and Aneet Padda to overnight stardom.

As we wrap up 2025, he tells HT City he wasn’t anticipating these numbers, “You can never plan these things. No one goes out there saying ‘I want to make a blockbuster’, you just want to make a good film. For me, the numbers meant a great sense of validation. When I started off, very few people could believe a romantic film could do the kind of numbers it’s supposed to do. I wanted to make a film, in a world where everyone was making films about action, killings, which I too have done in the past. I wanted to be dramatically different, and if I wanted to stand out, I had to make a different film.”
Also read: Mohit Suri says even people who didn't believe in him later called Saiyaara their win: 'I remember telling my wife...'
The year itself has seen films of various genres work- from an actioner like Dhurandhar, to an animated film Mahavatar Narsimha. And Mohit applauds the same, “As a filmmaker, it was a brilliant year, because everyone who made a film, somewhere down the line, was standing alone when they started making it. It was not something everyone said was a sure shot hit! There were particular formulas people were tending to discuss, they were talking about sequels, and suddenly we saw all this. What was most healthy is that apart from a newcomer film doing well, we had mythological, devotional films doing well, a spiritual film like Kantara Chapter 1. You cannot pinpoint and say this year only one kind of film worked.”
ABOUT THE AUTHORRishabh SuriRishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.Read More

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