Banjo review by Anupama Chopra: Missing a beat
An over-stuffed storyline, excessive razzmatazz and uneven soundtrack hold this film back.movie reviews Updated: Sep 23, 2016 20:23 IST
Direction: Ravi Jadhav
Actors: Riteish Deshmukh, Nargis Fakhri, Aditya Kumar, Dharmesh Yelande, Ram Menon
Rating: 2 / 5
Somewhere inside Banjo is a sweet, spirited film about a band of slumdog musicians. You can see it in the innovative way in which director Ravi Jadhav sets up the band members. There’s Paper. He’s called that because he delivers newspapers (but he also spends several hours a day fetching water for his family, so Paper’s grandest dream is a water tanker parked outside his shanty). Grease spends all day covered in car oil and dirt — he fantasises about a white home, white clothes and even a white watch. And then there’s Vajaya, who only wants to get on an airplane so he can push a button and have an airhostess ask, ‘How can I help you?’.
These guys put a smile on your face. I was hooked instantly.
Jadhav is a celebrated, National Award-winning Marathi film director. He’s making his Hindi film debut here, but much is lost in translation. The flashes of freshness are drowned by the illogical melodrama. After all, how seriously can you take any film in which a permanently pouty Nargis Fakhri roams around Mumbai slums in tiny shorts looking for a Banjo band?
Her character, Chris, is a New Yorker who comes to Mumbai without any leads — she doesn’t have a name or even a photograph. But she’s mesmerised by the music.
Banjo isn’t just about Chris’s search. Jadhav also wants to comment on class wars, what makes a true artist, the transformative power of music and of India. These people might lead hardscrabble lives but they have big hearts. There is a sub-plot about a rival banjo band, land-grabbing and even an attempted murder.
At the centre of it all is Taraat, played by Riteish Deshmukh. Taraat means bewda or drunkard. Taraat is described as ‘Banjo ki duniya ka Bachchan’. He’s a gritty, banjo-playing goon-musician. Taraat feels like he has stepped out of a 1980s film.
The movie labours to showcase him as a rockstar, using slow-motion entries and one-liners. All the attempts at creating a credible romance between him and Chris are sabotaged by Nargis’s absolute lack of expression. She’s both beautiful and unintentionally comical.
So Riteish valiantly struggles to hold it together. I enjoyed the small moments, like Taraat describing a coughing old man as ‘hamara cough parade’. I also enjoyed Vishal-Shekhar’s energetic Bappa song, and the band members, played by Aditya Kumar, Dharmesh Yelande and Ram Menon.
But mostly Banjo is an over-cooked mess.