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Sudhir Mishra: Bollywood is still obsessed with stars, when they don’t get one, they hire people who were once stars

Director Sudhir Mishra rues that technicians aren’t credited enough on a film, “Most people don’t know who the DOP of a film is.

Published on: Mar 10, 2022, 16:45:46 IST
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Sudhir Mishra has spent close to 40 years in the film industry, and helmed acclaimed films such as Hazaaron Khwaishein Aisi (2005) and Serious Men (2020). However, there’s one thing which still hasn’t changed in cinema — obsession with stars.

Director Sudhir Mishra is helming a feature film and an anthology next.
Director Sudhir Mishra is helming a feature film and an anthology next.

“It’s still star driven and when they don’t get stars, they concoct the idea of a star by hiring people who were once stars,” says the 63-year-old, whose next film, Afwaah, features Nawazuddin Siddiqui and Bhumi Pednekar.

Mishra stresses that the focus should be on talent, skill and the script, than just the name of the person starring in it. “Technicians should get more of a place. Nobody credits the DOP of a film. Most people don’t know who the DOP of a film is. He determines the visual look of a film. They are co-writers and should get pride of place,” he adds.

While the star system still prevails, has he ever given in to demands by producers or exhibitors to make his film commercially viable?

Mishra confesses that he made a film once which in hindsight he should not have — Calcutta Mail (2003). “Even though I enjoyed working with Anil (Kapoor, actor), the rest of it was something that I should have avoided. A better film would have been made if somebody else had directed it.”

Mostly, he maintains, he gets creative liberty to make his films the way he wants. “Whatever the adjustments that happen, it happens consciously and in conjunction with me. It’s never, ‘do this.’ It’s always ‘keep the audience in mind,’ ‘can we have some background songs’ and we have done that so that the film has better visibility. Mostly, I have been left alone. I have made my best films when I have been left alone and no director makes films for himself,” he concludes.

  • Rishabh Suri
    ABOUT THE AUTHOR
    Rishabh Suri

    Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.Read More