Exclusive | Director of Nora Fatehi's Body Roll reacts to claims that music video copies Netflix's Jibaro: If people…
Actor Nora Fatehi's latest music video with Yo Yo Honey Singh, Body Roll, is alleged to be ‘copied’ from a Netflix show. We speak to the music video's director.
Nora Fatehi's latest music video has been creating chatter online- and a lot of it is about the similarities it shares with an international show.

Body Roll, produced by Nora and starring her along with Yo Yo Honey Singh, dropped online on May 9. It features her as an apsara. Social media has been drawing comparisons with the Netflix animated show Love Death and Robots, specifically the episode titled Jibaro, in Volume 3.
Nora's post about the song on Instagram has been flooded with comments like “Copying the theme and dress attire from Love*Death & Robots- Jibaro episode. Truly innovative”, while another read “That's love,death and robots. That siren and Jibaro !”
HT City reaches out to the director of Body Roll, Inflict (Prakarsh Tiwari) and he exclusively tells us, “I am inspired by a lot of cinema, art, music videos, mythology, fashion, animation from all around the world. So there are definitely fantasy and surrealist influences which people may connect with. But this project was created with it's own emotional language, it has a different storyline altogether. I agree that there's inspiration from LDR (Jibaro) for that matter in two things.”
But he adds that the concept of an ‘apsara’ has existed in Indian mythology for a long time. “Body Roll is a music video. If people are comparing it to something like Jibaro which is so huge and award-winning, that would not be a fair comparison. On the other hand, while it's a compliment because people are saying we recreated Jibaro, I disagree with it. If you see the whole music video, you will realise that the storyline is very different," he says on the overall concept. As for the similar costumes, Inflict shares there was logic behind Nora dressing the way she does in the music video of Body Roll.
“If we are treating a lake as a sacred place, and Nora Fatehi comes out of it, using fabric wouldn't have looked nice. So you need metals. I had two options to go with- either a lot of jewellery, a metal based costume, or coins. We use both the costumes in the video. So inspiration has always been a part of filmmaking. What matters is how you reinterpret emotions and create something that resonates with people in your own voice. This wasn't about recreating something frame to frame,” he signs off.
ABOUT THE AUTHORRishabh SuriRishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.Read More

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