Photos | 10 faces of enlightenment: Ancient Buddhas from around the world

Updated On May 16, 2021 03:05 pm IST

The Buddha has been represented in stone, wood, copper, bronze, iron, wood and jade across the world, over the centuries. Here’s a selection that showcases how what sets them apart and still unites them as one.

1 / 10
From 1st century, Pakistan: A bronze from the ancient Gandharan region. Note Buddha’s unusual serrated halo.(Image courtesy: Metropolitan Museum of Art) expand-icon View Photos in a new improved layout
Updated on May 16, 2021 03:05 pm IST

From 1st century, Pakistan: A bronze from the ancient Gandharan region. Note Buddha’s unusual serrated halo.(Image courtesy: Metropolitan Museum of Art)

2 / 10
From 3rd century, Pakistan: A fasting Bodhisattva, which explains the gaunt appearance and sunken-in cheeks. The downturned mouth a rare depiction, but a common feature to depict austerity in Buddhism.(Image courtesy: British Museum) expand-icon View Photos in a new improved layout
Updated on May 16, 2021 03:05 pm IST

From 3rd century, Pakistan: A fasting Bodhisattva, which explains the gaunt appearance and sunken-in cheeks. The downturned mouth a rare depiction, but a common feature to depict austerity in Buddhism.(Image courtesy: British Museum)

3 / 10
From 4th century, Afghanistan: With his wavy hair, bridgeless nose, and naturalistic lips, Buddha looks almost like Apollo.(Image courtesy: Smithsonian Museum) expand-icon View Photos in a new improved layout
Updated on May 16, 2021 03:05 pm IST

From 4th century, Afghanistan: With his wavy hair, bridgeless nose, and naturalistic lips, Buddha looks almost like Apollo.(Image courtesy: Smithsonian Museum)

4 / 10
From 4th century, China: Git-bronze from Khotan, a kingdom located on the branch of the Silk Road that ran along the southern edge of the Taklamakan Desert in the Tarim Basin in modern Xinjiang.(Image courtesy: Tokyo National Museum) expand-icon View Photos in a new improved layout
Updated on May 16, 2021 03:05 pm IST

From 4th century, China: Git-bronze from Khotan, a kingdom located on the branch of the Silk Road that ran along the southern edge of the Taklamakan Desert in the Tarim Basin in modern Xinjiang.(Image courtesy: Tokyo National Museum)

5 / 10
From 6th Century, India: This serene representation of the Buddha, in sandstone, was exhibited at the Indian Museum, Kolkata, for an exhibition of Indian Buddhist Art in 2012.(Image courtesy: Sarnath Archaeological Museum) expand-icon View Photos in a new improved layout
Updated on May 16, 2021 03:05 pm IST

From 6th Century, India: This serene representation of the Buddha, in sandstone, was exhibited at the Indian Museum, Kolkata, for an exhibition of Indian Buddhist Art in 2012.(Image courtesy: Sarnath Archaeological Museum)

6 / 10
From 7th century, Cambodia: Sandstone, larger than life-size, the style typifies the sculpture of the Zhenla kingdom.(Image courtesy: Metropolitan Museum of Art) expand-icon View Photos in a new improved layout
Updated on May 16, 2021 03:05 pm IST

From 7th century, Cambodia: Sandstone, larger than life-size, the style typifies the sculpture of the Zhenla kingdom.(Image courtesy: Metropolitan Museum of Art)

7 / 10
From 9th century, Korea: From the far reaches of the spread of Buddhism, a soft expression in cast iron. Buddha’s features were subtly adapted to appeal to east Asia.(Image courtesy: Detroit Institute of Arts) expand-icon View Photos in a new improved layout
Updated on May 16, 2021 03:05 pm IST

From 9th century, Korea: From the far reaches of the spread of Buddhism, a soft expression in cast iron. Buddha’s features were subtly adapted to appeal to east Asia.(Image courtesy: Detroit Institute of Arts)

8 / 10
From 11th century, Nepal: Copper, semi-precious stones and decorative details, used to convey messages of simplicity.(Image courtesy: Metropolitan Museum of Art) expand-icon View Photos in a new improved layout
Updated on May 16, 2021 03:05 pm IST

From 11th century, Nepal: Copper, semi-precious stones and decorative details, used to convey messages of simplicity.(Image courtesy: Metropolitan Museum of Art)

9 / 10
From 13th century, Thailand: Soft sandstone, to capture the expression right between wisdom and tranquillity. The long earlobes a sign of heavy jewellery left behind.(Image courtesy: Victoria & Albert Museum) expand-icon View Photos in a new improved layout
Updated on May 16, 2021 03:05 pm IST

From 13th century, Thailand: Soft sandstone, to capture the expression right between wisdom and tranquillity. The long earlobes a sign of heavy jewellery left behind.(Image courtesy: Victoria & Albert Museum)

10 / 10
From 18th century, Sri Lanka: Robust feature stand out in gilded copper, a style common in the Kandyan period.(Image courtesy: Metropolitan Museum of Art) expand-icon View Photos in a new improved layout
Updated on May 16, 2021 03:05 pm IST

From 18th century, Sri Lanka: Robust feature stand out in gilded copper, a style common in the Kandyan period.(Image courtesy: Metropolitan Museum of Art)

  • author-default-90x90
    ABOUT THE AUTHOR
    Rachel Lopez

    Rachel Lopez is a a writer and editor with the Hindustan Times. She has worked with the Times Group, Time Out and Vogue and has a special interest in city history, culture, etymology and internet and society.

SHARE
Story Saved
Saved Articles
Following
My Reads
Sign out
Get App
crown-icon
Subscribe Now!