Step inside Garh Palace in Bundi as Alwar royal family's Manavendra Pratap Singh, Janaki Kumari work on its restoration

Garh Palace in Bundi, renowned for its unique wall paintings and Rajput architecture, is being conserved by royal siblings Manavendra and Janaki Kumari.
A fine example of exquisite Rajput architecture, the Garh Palace of Bundi is situated about 215 km from Jaipur, within Taragarh Fort in the Aravallis. Built by the Hada Rajput Chauhan rulers between the 16th and 19th centuries, the palace boasts a rich history and an artistic legacy.
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On October 4, in an Instagram post shared by Architectural Digest India, Manavendra Pratap Singh, 24, and his sister, Janaki Kumari, of the Alwar royal family, shared their plans to conserve and restore the Garh Palace in Bundi. According to the brother-sister duo, the palace came into their family’s possession through their paternal grandmother, who was a princess of Bundi. Let's take a look inside:
Inside the magnificent Garh Palace
Globally valued for its unique wall paintings and art heritage, the Garh Palace is a sprawling complex of regal residences and offices of the former Bundi State. While Manavendra told AD India that the conservation project is a lifelong endeavour, Janaki left her criminal law career to support her brother.
Some notable artistic highlights of the palace's art-filled halls, which are prized by researchers and academics all over the world, include the use of Indian yellow pigments in the wall paintings, the elaborate wall paintings on the walls of the Badal Mahal, and the towering stone pillars of the Jhoola Chowk and Chattra Mahal.
Some artistic highlights of the Garh Palace
According to AD India, the Indian yellow colour, which is obtained from cow urine and featured in the works of European greats such as Rembrandt and Van Gogh, was first seen in the wall paintings of the Garh Palace.
Meanwhile, the walls of the 16th-century structure, Badal Mahal, depict battle scenes, ceremonial elephant fights, court life, and private family life, like royal women swimming and mendicants praying. Some other unique features of the palace include Islamic honeycomb vaulting on domed ceilings with rare motifs, such as dragons, Krishna’s raas leela with gopikas, and mythical creatures.
ABOUT THE AUTHORKrishna Pallavi PriyaKrishna Priya Pallavi is a journalist with over 9 years of experience, covering health, fashion, pop culture, travel, wellness, entertainment, festivals, mental health, art, decor, fitness, and sex and relationships. She is an alumna of the Indian Institute of Mass Communication (IIMC), Dhenkanal, and holds an undergraduate degree in Journalism and Mass Communication from Guru Gobind Singh Indraprastha University, Delhi. Her strong academic foundation informs her analytical and detail-oriented approach to storytelling, helping her uncover stories where none seem to exist. Before joining Hindustan Times, Pallavi worked with some of India’s leading media organisations. She spent close to three years at India Today, where she honed her newsroom skills and developed a sharp editorial sensibility. She also worked for over a year and a half at Vagabomb, ScoopWhoop’s feminist digital platform, where she explored stories through a gender-sensitive, socially aware lens. Pallavi has a deep interest in global fashion trends and international fashion seasons, and enjoys interviewing celebrities and tracking pop culture movements—interests that frequently translate into engaging, reader-friendly stories. Alongside lifestyle and entertainment, she has a keen eye for impactful health and wellness journalism, regularly interacting with doctors, designers, and digital content creators to bring nuance and credibility to her work. Born and raised in Haryana, Pallavi remains deeply connected to her ancestral roots in Odisha. Her ability to spot fresh angles brings curiosity and depth to stories she pursues. When not chasing deadlines, she enjoys spending time with her dog, planning her next vacation, reading, running new trails, and discovering new destinations.Read More

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