Manoj Bajpayee’s latest, backed by filmmaker Neeraj Panday’s banner, had stirred up quite the storm when it was announced. Not because of its cast or premise, but because of its title. Initially called Ghooskhor Pandat, the film has now, by some strange twist of logic, been rechristened Gajab Raat. Ironically, the new title is far more apt for the film than the original one.
Manoj Bajpayee stars as a cop in this crime thriller.
The premise
The story revolves around a corrupt police officer Ajay Nirvit (Manoj) who heads out to conduct a hotel raid but finds himself unwillingly embroiled in a case involving a girl who has been assaulted and found on the streets of Delhi. The news goes viral on social media. His job seems simple enough: rush the girl to the hospital and record her statement once she regains consciousness. Things get complicated, however, when a CBI official begins pressuring him to hand over the case. Our protagonist operates in a comfortable little moral grey zone, where accepting bribes for dirty jobs is all part of the daily routine. But will he bend the rules this time, too, or will something resembling a conscience finally kick in?
A morally murky thriller
Gajab Raat begins by teasing a morally murky thriller, and, for a while, it delivers. The tension is taut over the first 30 minutes, as director Ritesh Shah, along with writers Neeraj Pandey and Deepak Venkateshan, build a world where the price for fixing a case is already decided, and even ₹5 crore is considered too little. The film establishes its corrupt ecosystem effectively, making you curious to see just how deep the rot goes.
Manoj's transition from a corrupt cop who is perfectly comfortable playing by his own rules to someone determined to ensure that this particular case gets justice is handled well. His decision to side with the victim after learning the truth gives the story a compelling turn, and Manoj makes the most of it.
Movie Review
Gajab Raat
3/5
Thriller
A corrupt cop finds himself embroiled in a case of a mysterious woman found in Delhi, and discovers that the case is more complicated than it seems.
The trouble begins once the film moves past that promising first half hour. We learn that the victim stumbled upon something she was never supposed to discover, but the big reveal is less impactful than the buildup suggests. What should have raised the stakes instead leaves the narrative struggling to recapture its tension. The climax, meanwhile is too convenient to be genuinely satisfying, tying things up with an ease that feels at odds with the murky world the film initially shows you. Also, there's a track between Manoj and Nushrrat Bharuccha (who plays an escort in the film), which leads nowhere. Same goes for Saqib Saleem's character.
Its really then left to the acting to make this a one time watch. Manoj is the force that drives this thriller; watch out for him in the scenes where he speaks to his seniors, convincing them to not take him off this case. He knows just how to toe the line but get what he wants by the end of any conversation. Its this shape shifting aspect that Manoj gets just right. Divya Dutta as the dirty politician is effective. Akshay Oberoi as Navin Madhok and Rajiv Gupta as SHO Praveen are good.
Overall, for a film that has already had quite the journey with its title, Gajab Raat could have done with a few more surprises in its screenplay. The premise is promising and Manoj Bajpayee makes for a compelling leading man. But once the initial intrigue wears off, the film struggles to keep you invested. A decent one time watch, then, though the night could have been considerably more eventful.
Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold.
He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since.
At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics.
In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift.
When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.Read More
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