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Thinking of buying new jewellery? Here’s what 200-year-old Indian designs can teach you about choosing timeless pieces

Updated on: Oct 2, 2026, 19:11:38 IST
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What can 200-year-old Indian jewellery teach us about buying jewellery today? (Unsplash)
What can 200-year-old Indian jewellery teach us about buying jewellery today? (Unsplash)

Before adding another jewellery piece to your collection, look at what 200-year-old Indian jewellery can teach you.

Starting from the way a gemstone is cut and set to the story behind a motif, historic Indian jewellery represents a lesson in searching beyond the price tag. When purchasing jewellery today, the conversation usually starts with the price: how many carats, how much gold, and finally, how much it costs. But the jewellery that has survived centuries makes us think about it differently. In an interview with HT Lifestyle, Shreyans Gandhi, executive and creative director of Gazdar, highlights lessons from 200 years of Indian jewellery craftsmanship that you can consider in your jewellery shopping.

​Also read | Looking to refresh your accessory collection? These jewellery trends are worth keeping an eye on

Look at craftsmanship, not just the price

“Historic jewellery makes it quite clear that craftsmanship has a value separate from the amount of gold or size of a gemstone,” highlighted Shreyans. Kundan, for example, uses highly refined, malleable gold worked into extremely thin strips that are carefully pressed and burnished near the gemstones instead of depending on conventional prongs.

Historic jewellery makes it quite clear that craftsmanship has a value separate from the amount of gold or size of a gemstone, (Gazdar)
Historic jewellery makes it quite clear that craftsmanship has a value separate from the amount of gold or size of a gemstone, (Gazdar)

This creates a close, seamless relationship between the stone and its setting. “Today’s buyers, the question is therefore not about how much gold it contains but about how well it has been made. Looking at the precision of the setting, the finishing of the metal, and the skill that is involved in its creation,” advises Shreyans.

Learn to look at gemstones differently

Historic Indian jewellery challenges the idea that a gemstone’s beauty is about maximum sparkle. Shreyans highlighted that Indian table-cut diamonds, now also known as polki, were traditionally made as thin, flat stones that retained a lot of the natural form and weight of the rough.

Unlike the modern brilliant cuts, which are designed to maximise scintillation, they offer a softer lustre and broad planes of light. The distinction is important. A buyer focused only on brilliance could overlook the character of an older or differently cut stone.

Technique can reveal a jewel's history

Jewellery also has the potential to carry the geographical history through its construction. Meenakari, for example, has developed a distinctly Indian character after being absorbed into the luxury arts of the Mughal courts. The process involves the creation of recesses in metal, filling them with powdered glass and metallic oxides, firing the piece repeatedly, and polishing the surface to create its luminous finish.

For today's buyer, the understanding of the technique reveals whether a piece genuinely reflects a craft tradition or simply borrows its appearance.

Jewellery also has the potential to carry the geographical history through its construction. (Gazdar)
Jewellery also has the potential to carry the geographical history through its construction. (Gazdar)

Look for the story behind the motif

The incorporation of flowers, birds, animals and foliage in Indian jewellery is rarely just decoration. The collection showcases the longstanding relationship between nature, ornament and symbolism.

Shreyans advises to consider the terminal bangle, whose open ends can be included in sculpted tiger, elephant, bird or makara heads. These forms blend decorative vitality with auspicious, protective and regal associations. Understanding its story can transform a jewel from an accessory into something with cultural and personal meaning.

  • Anukriti Srivastava
    ABOUT THE AUTHOR
    Anukriti Srivastava

    Anukriti Srivastava thrives at the intersection of words and voice, where journalism meets storytelling. A digital editor and journalist with over 5 years of experience, she has written across lifestyle, women issues, relationships, entertainment, fashion, and travel. She did her Masters in Broadcast Journalism and has published more than 500+ lifestyle content pieces across platforms. As a former Sub-Editor at HerZindagi, she produced engaging digital content, interviews, and event coverage for a wide audience. She has also contributed as a Webstory Producer with Travel + Leisure, transforming travel experiences into immersive stories for readers who love exploring the world. Beyond writing, Anukriti’s storytelling extends to the microphone. As a voice-over artist, her warm and expressive voice has brought scripts to life across audio platforms, turning simple words into immersive experiences. Her work reflects a deep interest in people, culture, and everyday stories that resonate with readers and listeners alike. She enjoys crafting content that informs, inspires, and sparks curiosity. Away from screens and studios, you’ll find her reading self-help books, listening to music, getting lost in romantic novels, and playing the guitar for a creative reset. For Anukriti, storytelling isn’t just a profession—it’s a way of seeing and sharing the world.Read More

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