What’s cooking in India's culinary scene?
Move over, food and hospitality professionals. Amateurs from other backgrounds are diving into India’s culinary scene and giving us one pioneering eatery after another.
For instance, from 2010 onwards, with food-related TV shows like MasterChef catching viewers’ imaginations, different and unfamiliar became catchwords. But in 2001 when Raman Macker and Gaurav Batra set up Rain in Juhu, Mumbai, the restaurant was empty for months because the food was so unfamiliar. “Juhu was a very different place then,” says Raman.
“Olive had just opened doors, and people were still grappling with the concept of subtle flavours and authentic European cuisine. We actually had customers complain to the staff that there was no roti-sabzi!”
It always helps, though, if the food is good and affordable. Which is why some of the proprietors of these restaurants offer something that few other eateries do home food. The kind of food that was usually seen as too unsophisticated to put on commercial menus, but which is delicious, authentic and reasonably priced.
This is a trend that big restaurant chains are moving to as well, says Rohit Aggarwal, managing director, Lite Bite Foods, owners of the Zambar, Asia 7 and Fresco chains.
“When our chef left Zambar suddenly, we met Arun Kumar, a filmmaker passionate about food, who believes in cooking food the way it is cooked at home,” says Aggarwal. “This concept has taken the restaurant to a new level.”

Grab attention
Once the food is sorted, positioning and marketing comes into play. “When you go to a restaurant, you go for the food, but also for the overall experience,” says Raman. “It’s essential to create a position for your restaurant, where the customer knows what to expect and gets that.”
So unique concepts and experiences must be thought out. When Ajay Jain started Kunzum Café, for instance, he didn’t charge for the coffee it served. Instead, it was left to the customer to decide how much it was worth. Curious customers arrived in droves.
“They can walk in at 11 and sit here till 7 and do whatever they feel like in between,” says Ajay.
Similarly, Thadi positions itself as a place where you can put up your feet and lounge. “Authors come in and work on their books for hours,” says Bhupender Singh, one of Thadi’s four partners. “We also have bands come and jam. Thadi is like a college canteen.”
It all sounds like great fun, but the practicalities of commerce can be heart-breaking. It means learning on the job. And it means learning that location is everything. “Everything else can be learnt, but not this,” says Mishali of Pali Village Café.
Delhi seems to have it easier for now artsy Hauz Khas Village and craftsy Shahpur Jat that already attract a well-travelled, open-minded crowd are perfect places for small eclectic restaurants. And though rents are climbing, they’re still affordable just.
But in Mumbai, where real estate costs are some of the highest in the world, if you don’t have the money, you don’t have the restaurant. Though the Pali Village Café partners struck lucky with location, the Mattoos of KongPoush had to close their flourishing restaurant in 2011 and shift it to Goa. Their location in the suburb of Goregaon didn’t work for them, and the rent was too high.
And then there are all the fiddling details of putting the restaurant in operation. With no experience of how these things are done, things can go crazy.
“The first few weeks after opening, we were just panicked,” recalls Bhupender of Thadi. And sometimes Viveta feels that way too." “For us, unlike a really professional place, every day means new learning, new challenges,” she says.

“We don’t have a foolproof method of functioning yet. Just after we opened, our cook had to go to Bihar for Chhat Puja and everything fell apart – the quality of food, the service… We had customers, but not much to serve.”
And while Suren and Mishali of Pali Village Café credit their chef, Conrad, with the success of the kitchen management, they admit that even now, more than a year after their restaurant opened, they haven’t quite cracked service.
“Besides a few old hands, the servers keep changing as happens often in this industry,” says Mishali. “At the end of the day, we might brief everybody but they have their own style when interacting with people.”
It takes time for a new restaurant to settle down, so marketing is important. Social networking can bring in customers; the Potbelly girls sent out free samples of their food to other store owners in Shahpur Jat and in-restaurant events also help. But most important is the food, says Manu Mohinder. If that makes sense to customers, word will just spread on its own.
It isn’t hard to keep a restaurant going, says Ritu Dalmia.
“People are earning more these days, so taking the financial step of opening a restaurant is easier than it was,” she says, while Manu adds that he foresees the birth of many more small restaurants and cafés serving unconventional food. The food business isn’t rocket science. If you look at the front operations as well as the back operations, you will be a success.”


E-Paper





