Sign in

Jailer 2 | 4 reasons why Jailer 1 was a much better, more impactful Rajinikanth film

Rajinikanth's latest film Jailer 2 is entertaining, but it doesn't match up to the experience that was the first part in 2023. Here's why.

Published on: Oct 17, 2026, 12:21:43 IST
Share
Share via
  • facebook
  • twitter
  • linkedin
Copy link
  • copy link

Jailer (2023) was a benchmark in celebrating an actor who has been worshipped by fans for decades. On the face of it, this Rajinikanth film might have seemed like a regular masala entertainer, but Nelson's presentation and, of course, Anirudh Ravichander's electrifying background score made all the difference. This critic found himself smiling giddily like a teenager, sequence after sequence then.

Jailer 2.
Jailer 2.

Naturally, the anticipation for Jailer 2, its sequel, was sky-high. But it doesn't quite hit the sweet spot this time. Here are four reasons why:

1. The story is weaker

A still from Jailer 2.
A still from Jailer 2.

Jailer had a proper arc for Rajinikanth's Muthuvel Pandian, a retired jailer who has settled into a quiet family life after retiring. His transformation into an angry man just before the interval was as massy as it gets. That element of surprise is missing this time around. Jailer 2 gets repetitive, following the same pattern throughout: a villain tries to harm Muthuvel, he defeats them, and another villain takes their place. This continues for much of the film, leaving little room for excitement or surprise.

2. Where's the emotional connect?

A still from Jailer (2023)
A still from Jailer (2023)

Jailer had a beating heart at its core: a father devastated by his son's untimely death, for which he blames himself. His quest for revenge gave the action a strong emotional reason, with the story reaching a painful turning point when he discovers the son is alive and ultimately has to get him killed for his actions. Jailer 2 has no such emotional pull. There is an attempt to show the family's reaction when they learn what Muthuvel did to his son, but the moment comes too late and ends too quickly to make much of an impact.

3. Too many actors, too little impact

Vidya Balan in a still from Jailer 2.
Vidya Balan in a still from Jailer 2.

Jailer 2 adds several actors to its cast, including Mithun Chakraborty and Vidya Balan as members of the antagonist's family. While it is understandable that any sequel tries to raise the stakes, the film seems to go overboard. Vidya's character, for instance, has little impact on the story. Adding more star power does little to improve the film and only makes it longer.

4. An unimpressive cameo

Jailer had some delightful cameos by Mohanlal, Shivarajkumar and Jackie Shroff. This time, Hrithik Roshan joins the mix. While he looks great on screen, Nelson doesn't make the best use of him. His appearance is a routine cameo in which the hero's friend arrives to rescue him, much like Hrithik's appearance in the Hindi film Alpha earlier this year. For a film that knows how to make a star's entry exciting, this feels like a missed opportunity. Moreover, the trio of superstars mentioned earlier are also relegated to blink and miss appearances this time.

  • Rishabh Suri
    ABOUT THE AUTHOR
    Rishabh Suri

    Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.Read More