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Netflix's Ruchikaa Kapoor Sheikh says film reviews matter but are no longer a measure of a film's success | Interview

Netflix's Ruchikaa Kapoor Sheikh talks about how the streaming boom in India has changed the way audiences and filmmakers look at cinema.

Published on: Nov 1, 2026, 07:05:02 IST
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Streaming in India has grown exponentially since its humble beginnings some 10 years ago, when ‘web series’ meant independently produced shows on YouTube. Today, the series are produced by the biggest studios in India, star A-listers, and stream on international platforms like Netflix. This proliferation of ‘content’, for lack of a better word, has also meant a dilution in quality. Yet, none of that has stopped people from watching it.

Netflix India's film head Ruchikaa Kapoor Sheikh talks to HT about how streaming has changed cinema landscape.
Netflix India's film head Ruchikaa Kapoor Sheikh talks to HT about how streaming has changed cinema landscape.

Even insiders agree that streaming has made the process of experiencing films and making them more democratic. In a chat with Hindustan Times, Ruchikaa Kapoor Sheikh, Director, Original Films, Netflix India, opens up about how streaming has changed not just viewers’ consumption patterns but also makers’ approach to films.

‘Reviews are not a measure of a film’s success'

Not long ago, reviews were seen as a make-or-break for films. Bad reviews had the power to sink films on the first weekend, while good reviews could often elevate even struggling films. Reviews, coupled with audience interest, translated into word of mouth, the critical engine for any film’s box office prospects. But streaming films do not rely on box office. But now they no longer have to rely on reviews, either. Ruchikaa cautions against dismissing reviews completely, but agrees that audience perception now builds on more than just critics’ opinion. “I'll be honest. I wouldn’t say reviews don't matter. I think reviews are an important part of the conversation around and about a film, but at no point are they a measure of its potential success,” she says.

“There was a time that critics were your only way in being able to decipher, understand, or get access to a film. That was the only way. Today, it's such a democratic entertainment landscape that every film arrives on its own terms, and every audience member individually arrives to that film on their own terms,” adds Ruchikaa.

The head of Netflix films says today that the films that get recommended are the ones that generate chatter, not necessarily the best-reviewed. “What we see very often is that films that get recommended are films that are spoken of. Like everyone will recommend Amar Singh Chamkila. Many people don’t recommend Haseen Dilruba or Sikandar Ka Muqaddar, but they are being watched. So we are acutely aware that there will be films that may not be spoken of as widely, but they do something for an individual,” she explains.

‘Don't have to choose between an entertaining and thought-provoking film’

Streaming has also changed how filmmakers approach titles and ‘projects’ today. In the past, many filmmakers like Karan Johar and actors like Naseeruddin Shah have admitted to doing big-budget masala stuff only so that they can make niche films that appeal to them creatively. Ruchikaa says streaming doesn’t have that compulsion. “Those are not the times anymore,” she says. “At this point, I don't have to choose between making an entertaining film and making a thought-provoking one. On streaming, we definitely right-size that because we're aware that a certain film has a certain audience, and therefore we need to make sure that it optimises for that audience, which is when it becomes super successful for us.”

  • Abhimanyu Mathur
    ABOUT THE AUTHOR
    Abhimanyu Mathur

    Abhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More

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