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25 years of Gadar: Bigger than Dhurandhar and RRR, Sunny Deol film would have broken all records had it released today

Sunny Deol's Gadar earned 133 crore worldwide upon its release in 2001. Had it released today and worked just as well, the numbers would be astronomical.

Updated on: Jun 18, 2026, 14:11:54 IST
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15 June 2001 is a red-letter day for Indian cinema. Two big Hindi films released in theatres that day. This phenomenon is nothing new. There have been several ‘clashes’ at the box office over the decades that films have released in the country. But the two that clashed that day succeeded, not at the expense of each other but with each other. Long before Barbenheimer was a meme on the internet, Bollywood had its Gadar-Lagaan moment.

Gadar remains one of the biggest Indian hits of the 21st century.
Gadar remains one of the biggest Indian hits of the 21st century.

And while Lagaan has enjoyed continued cultural relevance (and international acclaim), many forget that it was Gadar that was the bigger hit of the two. In fact, so obscene was Gadar’s success that translating it into today’s terms would yield almost unimaginable box office collections. As the Anil Sharma blockbuster completes 25 years, we take a look at the ‘gadar’ it would have created had it released in 2026.

Gadar’s astounding box office records

Directed by Anil Sharma and starring Sunny Deol in the middle of his second purple patch, Gadar released on June 15, 2001 on 350 screens and yet managed 1.40 crore net on its opening day. It was a time when screen count increased as days progressed (provided the film did well). Gadar expanded exponentially by word of mouth, rising to 9.28 crore net in its first week and continuing to run in dozens of halls in the north for months. By the time it ended its run months later, it had amassed 76.88 crore net in India and a staggering 133 crore gross worldwide. Its record of 5 crore ticket sales in India still remains a record for Bollywood in the 21st century, with even Dhurandhar 2 not being able to surpass it.

Sunny Deol and Amrish Puri in a still from Gadar.
Sunny Deol and Amrish Puri in a still from Gadar.

Just how big a hit Gadar was can be gauged by the fact that it earned more than 2X Lagaan, which was a superhit in its own right, and even beat the domestic earnings of Kabhi Khushi Kabhie Gham, the other blockbuster of the year. That K3G, with the combined superstardom of Shah Rukh Khan and Amitabh Bachchan, lost to Gadar speaks volumes of its mania.

Gadar’s box office adjusted for 2026

There are several ways one can go about while adjusting a film’s box office earnings for another time. In case of Gadar, one easy way would be to adjust its total earnings for inflation (using figures from the Reserve Bank of India). But inflation adjustment merely calculates the change in purchasing power of an individual over time. A better metric would be how much the average ticket prices have risen in the 25 years since the film’s release. Also interesting to note would be that Gadar would face a challenge of the diminishing single-screens in the country. In 2001, Gadar made 73% of its domestic collections from single-screen theatres. There were an estimated 15000 single-screens in India then. Today, there are just over 5000. The film would have to rely on multiplexes to fill that gap (10000 screens there), just as modern mass entertainers like Gadar 2, Border 2, and Jawan have.

Gadar outgrossed Aamir Khan's Lagaan by almost 100%.
Gadar outgrossed Aamir Khan's Lagaan by almost 100%.

Gadar’s domestic and international adjusted collections

Gadar had an average ticket price of just over 20 across single screens and multiplexes. In 2024, a research by Ormax Media put the current average ticket price in India at 90-110 for single screens and over 200 for multiplexes. Big releases often charge premium rates with almost no Indian film in recent times selling tickets for an average price lower than 200 (Dhurandhar 2 has an ATP of over 300). A conservative 200 average ticket price gives Gadar a domestic haul of 850 crore net ( 1060 crore gross), one of the highest-ever for an Indian film. This is bigger than the domestic collections of all-time blockbusters such as Jawan ( 640 crore), RRR ( 782 crore), and Dhurandhar ( 840 crore). In fact, only three Indian films would stand ahead of it - Dhurandhar 2, Baahubali 2, and Pushpa 2.

Gadar's earnings adjusted for a 2026 release
Earning2001 figureAdjusted
Domestic net 76.88 crore 850 crore
Overseas gross$1.05 million$10 million
Worldwide gross 133 crore 1150 crore

Adjusting the overseas collections of Gadar 2 is a trickier exercise given how the landscape for Indian films has changed in the 25 years since its release. In 2001, Indian films hardly found wide release outside the US. And there too, it was largely Shah Rukh Khan who managed to hold sway. Judging by the average ticket price of $5.35 in 2001, Gadar sold just under 200k tickets internationally for its $1 million gross. Today, the average ticket price of $16.20 would take this haul to over $3 million. However, Gadar earned almost all of its overseas share from the US. It accounted for barely 3% of its worldwide gross. Today, where many more markets have opened up for Indian films, the percentage has increased. A good reference would be Gadar 2, the sequel, which earned 10% of its total haul from overseas. Adjusting the US gross and wider base gives Gadar a potential overseas gross of $10 million. This takes the film’s worldwide gross in 2026 to a staggering 1150 crore, higher than the collections of Kalki 2898 AD and Jawan, but behind RRR and Dhurandhar, both of which had strong overseas runs.

Gadar’s place in history

Gadar was an all-time blockbuster, the highest-grossing film domestically in 2001. It out-earned Lagaan by a factor of almost 100%. Yet, it was not the highest-grossing Indian film of the year. Kabhi Khushi Kabhie Gham’s overseas blitzkrieg pushed it to the top. Applying the same formula of adjustment to these two films yields almost identical results. Lagaan’s adjusted earnings are 370 crore net domestic and 650 crore gross worldwide. Would Aamir’s popularity in China had helped it there? We choose to discount that variable as it is too unknown. Similarly, K3G would earn around 600 crore net domestically and its potential $50 million overseas haul would push its worldwide haul to almost 1200 crore. This is in line with how SRK’s recent blockbusters like Pathaan and Jawan have performed, both at home and abroad.

2001's highest-grossing films, adjusted
FilmOriginal grossAdjusted gross
Kabhi Khushi Kabhie Gham 135 crore 1200 crore
Gadar 133 crore 1150 crore
Lagaan 66 crore 650 crore
Indian 43 crore 350 crore
Dil Chahta Hai 40 crore 350 crore

Whatever way we choose to look at Gadar’s box office performance, one thing is undeniable. The film was responsible for bringing back mass action to Hindi cinema in an era that was increasingly moving towards family dramas and the mid-budget multiplex films. It took a Salman Khan renaissance nine years later to complete the loop with Wanted and Dabangg. But Gadar is where the seeds were sown.

  • Abhimanyu Mathur
    ABOUT THE AUTHOR
    Abhimanyu Mathur

    Abhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More

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