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How online trolling, ridicule turned $1k Chinese box-office bomb Niu Lai into unlikely blockbuster

A Chinese animated film leveraged online ridicule, propelling its box-office revenue into six figures, according to local media reports.

Published on: Aug 16, 2026, 09:44:28 IST
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Social media trolling and ridicule haven't had that many positives in the decade since the trends became mainstream. Over the years, trolling, the bandwagon effect of harsh criticism on social media, has been called out for its harmful effect on mental health. But for a change, trolling has had a positive effect. A Chinese animated film has managed to turn online ridicule into marketing, attracting curious viewers and turning its fortunes around at the box office.

Niu Lai's simple computer-generated animation received ridicule.
Niu Lai's simple computer-generated animation received ridicule.

How Niu Lai turned ridicule into success

The Chinese animated film Niu Lai generated only about $1,000 in ticket sales in its first 10 days in theatres. It was heavily panned by critics upon its release and soon became a talking point on Chinese social media circles. On Weibo, China's version of Twitter, Niulai was one of the platform’s most-discussed topics on Saturday, with posts featuring clips that viewers described as having poor animation quality and awkward storytelling, Bloomberg reported.

But this led to an increased curiosity about the film. Some social-media users said they bought tickets to judge the film for themselves. As the discussion spread across Weibo and other platforms, ticket sales increased dramatically. In some places, cinemas were forced to increase their screenings due to the sudden surge in demand. Local media reports stated that the film earned merely 7,700 yuan ($1,140) in ticket sales during its first 10 days. This increased to over 100k yuan ($15k) in the days since. On August 15, after intense social media trends, the film saw pre-sales of over 100k yuan. The flood of scorn helped turn the movie into an unlikely box-office phenomenon.

This poster was the only promotional material for the film.
This poster was the only promotional material for the film.

This is not the first time a negative or averse reaction to something has sparked a social media sensation in China. But this is the first time a positive outcome has emerged from it.

The film’s relative success illustrates the growing power of social media attention in driving consumer behaviour in China, even if the reaction is largely negative.

All about Niu Lai

Directed by Xin Yumeng and written by Sun Lifang, Niu Lai stars Xin Yumeng and Sun Lifang. The film had an unusual run with no promotional campaign, including no trailers or interviews. It was released on 5 August in 245 theatres across China. However, negative reactions led it to being reduced to just four screens by 14 August. That is when the social media push took place, propelling the film.

  • Abhimanyu Mathur
    ABOUT THE AUTHOR
    Abhimanyu Mathur

    Abhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More

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